Monochrome – Page 8 – Photogeek Blog

Just Because you don’t Like it…

It happens sometimes. You go to a club or music venue to see your favorite band and there are four to five bands you’ve never heard of playing before them. Some of those bands will knock you on your ass, opening the doors to becoming the next band you give your heart to. Then there are the ones that make you second guess why you ever left the house in the first place. Over the years I’ve seen my share of bands that left scratching my head, covering my ears or imagining myself as a machete wielding harbinger of death to shitty bands across the planet.

You can often remedy that disdain by heading out for some much needed fresh air, hitting the bar or merch table. Or, if you’re like me. Document that shit. I’m often surprised at how I can manage to get a quality shot of a band I dislike or absolutely hate. Sometimes a good shot can go a long way to erase the memory of a bad experience and in the end, make it all worth while. And remember, while you might not like a bands sound, music or personality. There’s always going to be those that do.

Testing, Testing

Studio Lighting, Studio Photography

Last night a friend and fellow photographer visited to give me a lighting tutorial using just one hot light and a couple of flags. Having someone just down the hall from me who’s more than happy to stop by to talk shop while sharing his experience and knowledge keeps me inspired and appreciative. No matter where my journey as a photographer takes me. I need to learn and grow in order to keep that passion alive.

As we were shooting, he mentioned how this style would work well with my artist and musician portraits. Adding dimension and drama to my images. As we viewed each image as it was shot. I was reminded of a shoot I did with Brooklyn’s Cinema Cinema at my old home studio in Hoboken. This image was also shot with one light that was fitted with a soft box. At the time, and still to this day. Both the band and myself loved the results. It seems that this was the direction I was hoping to move towards for some time now.

Having all the space I need to shoot and the tools to help my work grow. I can only hope to continue doing what I love. To quote the late, great Joe Strummer “The Future is Unwritten.”

The Images You Keep

Digital Storage

As I continue to dig through my photo archive. I find myself coming up for air with some real keepers. Some of bands who remain current. Others who came and went in the blink of an eye. What started as a much needed purge of old, unused or less than stellar images, quickly became an opportunity to more easily pinpoint the ones worth keeping, or perhaps tweaking. Looking back, the amount of pictures I’ve taken at shows is insane. Moving forward, I doubt that will change.

FrankII — Holy City Zoo’s Frank DeFranco

Learn as you Go.

Dramatic Lighting, Portraiture, Studio Lighting, Studio Photography

On an almost daily basis. I take a few minutes to spend a little time visiting a past shoot to either tweak an overlooked image while sending any less than worthy ones to the trash. It’s a practice that has allowed me to purge thousands of images while giving me time to savor and care for the ones that really count. As I look back to my earliest home studio work. I see my leanings towards broad/flat lighting. A style that may have worked for me at the time. Clearly displays my fears of fucking things up and making mistakes. Perhaps revealing my rookie status. And while the image below might look good to some. I clearly remember feeling like that first day on the school bus. Luckily, that day helped me capture a number of images that would lead to future work and ultimately, more confidence.

On this latter image I had not only gained confidence, but I learned some essential lessons about successfully communicating ideas and concepts while gaining the confidence and trust of the model. On this particular shoot, I took a more creative approach with both the lighting and concept. I knew exactly what I was looking to accomplish as well as the message I was looking to convey. As I revisited this image for the first time in over a year. I decided to add a little shadow and highlights while adjusting the contrast to give it the dramatic and moody feel the shoot called for. As I grow and hopefully evolve as a photographer. I look forward to taking chances with light, make some mistakes I can learn from and shoot with a more ballsy, confident approach.

http://www.youtube.com/watch?v=1OfWXps93dg

“Bass, How Low can you Go?”

Canon lenses and equipment, Digital Printing

After years of not printing much of anything. I’ve taken on the task of printing some of my favorite music related images shot throughout that time frame. Each week I’ve picked four images to printed at my favorite lab Duggal Visual in Chelsea. For this weeks trip in I’ve focused on some of my favorites featuring bass players. From as far back as I can remember. The bass has always been an instrument for inspiration. Below are the four images I picked. Any feedback would be appreciated. Feel free to share your favorite Bass slayers.

Cory Pula-Bowers

Taking the Canon 50 mm 1.8 Into the Dark

Canon Lenses, Canon lenses and equipment, Fast Lenses, Location Shooting, Music, Uncategorized

Though I’ve been using my Canon 50 mm 1.8 as a primary lens since I first purchased it some weeks ago. The original reason for the purchase was to have a backup lens for my concert photography. One that essentially eliminating the need for flash by using a faster (1.8 as opposed to my current 2.8) So this Sunday I headed down to The Cake Shop on Ludlow to test it out. Lucky for me, one of my favorite live acts, Stuyvesant, was playing along with a couple of other acts. Though the Cake Shop is less than ideal for shooting a band. It provided the space and distance I needed to try out the lens. Though I found myself shooting at an ISO of 3200, I found that I liked the results. And while I’m not quite ready to ditch the Canon 15mm I usually enlist. I know I’ll be doing plenty of experimenting with Canon’s 50mm 1.4 Below are some results. The one at the bottom features Sean Adams of the band Stuyvesant.

The Brooklyn Way

Statue of Liberty

My wife and I spend many of our weekends in Brooklyn. Whether it be exploring different neighborhoods, food or culture. Brooklyn seems to have it all. During our ill fated search for a condo we’d canvas the different areas going from one open house after another. Knowing my likes, dislikes and moods. She noted that Brooklyn was my “Switch”. No matter the circumstance, I always seem to enjoy my time there. On this particular day we did a lot of walking, stopped for mediterranean food, antique shopping and a Greek bakery. By the time we got to the river, the sun had just begun to soften. We walked a long distance in the high wind before grabbing a ferry back to the east side of the ferry. I shot these around 4:30 /5:00. My wife suggesting the set up for the first shot. The idea for the second was all mine. I got these printed at Duggal the next day. If we ever move. I’m going to find a place to hang them. Until then…

Everyone Has a Unique Story to Tell. Sometimes We Just Need to Listen.

Documentary, Editorial, Philosophy

I’ve met a lot of unique and beautiful people in my lifetime. Though trying to Birdman start a conversation with a complete stranger can be a humbling kick in the ego. It can open the doors to to so many new and rewarding experiences. These days I don’t feel all that comfortable speaking myself. Often catching myself stumbling over my words or feeling unable to say exactly what my brain is trying to communicate. Depending on how you look at it. It can be viewed as a positive, negative or both. For me personally, I try to see it as a positive. The positive being I can muster the words and expressions well enough to invite a conversation before letting my ability to listen take foot. Though I didn’t expect it. I find myself enjoying the time I spend with my mouth closed and my ears open. I’ve met some very interesting characters with some really incredible stories to tell. I’ve learned a lot with this little gift. More about the world and it’s people. More surprisingly, I’ve learned a lot more about myself. Most times, a smile, a nod or a simple hello can start a conversation. I took each of these three images within about an hour with the help of those three expressions. Try it some time. You might be surprised by what you get.

Brooklyn’s Cinema Cinema Help Me Embark on a New Project

Music, Portraiture, Studio Lighting

This week I took it upon myself to start a new photo project. Take the bands and musicians that inspire me and invite them over for a session and do my best to take the band photo out of the box. Take the band out of it’s normal comfort zone (the stage, the studio) and do something more creative than lining them up against a wall as if they were about to face a firing squad. To start my project on the best note possible, I got in touch with Brooklyn’s experimental noise rockers Cinema Cinema.

CC_-25 — Paul Claro and Ev Gold – Cinema Cinema

I first met Ev (Guitar/Vocals) and Paul (Drums) during a local music festival in 2011. To be cuttingly honest, their performance that night scared the freaking Bajeezus out of me. It was intense. I mean, like a roller coaster ride through the seventh layer of hell intense. Since then Ev and Paul have been featured on my music blog numerous times in record and show reviews, an interview and even as contributors. Needless to say, we’ve become good friends. The guys arrived on time and though it was a short set. I never felt as if we were rushing through the shots. I had specific ideas not only were they were they on board. They helped me steer the ship. We drank dirty water, listened to Fugazi and got some memorable images that will serve as the groundwork for what I hope will be an ongoing series. I really can’t say enough about Ev or Paul. I’ll let the pictures speak for themselves.

“The World is Yours” Ev Gold – Cinema Cinema

Cinema Cinema-3 — Cinema Cinema “See No Evil”

Paul Claro - Cinema Cinema — Paul Claro – Cinema Cinema

Time to Reflect

Anxious, Editorial, Finding Solutions, Finding your Zen, Happiness, Modeling, Philosophy, Portraiture, Studio Lighting

I’ve been having a real hard time finding the right words to describe my recent shoot with Roksolana. Sometimes it just takes time to properly let an experience run it’s course of emotions in order to write about it from an observers point of view than an actual participant. This became evident to me when talking to a model I worked with the other day. I’ve worked with this particular woman for years and over that time, developed a close bond and trust. We’ve always shared stories and not only is she supportive of my wiring. She’s downright forceful in that she feels my stories are worth putting to paper. This Friday afternoon, as she unpacked her chosen outfits for that days session, the conversation quickly turned to just that. It was then that I realized why I do and do not write about certain subjects and certain experiences in my life. It was then when I understood why I was having such a hard time writing about this particular shoot with this beautiful and very sweet woman. It all came down to separation and the time it takes to remove yourself and a certain emotional element from the story. At the time of the shoot I was overwhelmed by Roksolana’s energy, her thwarting of everything I had planned and inability to focus on anything for more than a few seconds. That could all be easily overlooked if not for the pure fact that she turned my organized and uncluttered studio space and turned into a combat zone. Even going as far as moving my couch and taking the shirts I had picked out for her to model and spreading them across my couch insisting “See, it feels like a college dorm.”

Yet, with all the madness, lack of direction and complete exhaustion those few hours created. I still had a beautiful woman in my studio. One who is inspiring in all that she’s already experienced in her short life. I was doing one of the things I love most in life and I was in the midst of a ‘real story’. I controlled my anger and emotions throughout and stayed focused. An hour or so later, my heart rate was normal and I was sharing dinner with my lovely wife. I was not only alive, I was living.