One might ask. “What’s better than ordering delicious four dollar Vietnamese sandwiches on a Saturday afternoon?” How does doing so at a nearby Vietnamese restaurant that offers billiards and an open bar while you wait, sound? Okay, so I did leave my camera bag in the car and was forced to rely on my iPhone 7 for proof. That won’t keep me from sharing.
Since relocating to Seattle, WA. My wife and me have lived in two temporary corporate apartments on opposite sides of the Seattle Center. As we prepare to make yet another, final move to a chosen apartment in Columbia City. The thought of escaping that towering monument to tourism. I give you a couple of images I’ve taken from different vantage points. Enjoy.
Here I’ve posted two images I took of Capital Hill’s Rite Aide. Located on the corner of Broadway and Denny. The pharmacy looks more like an old theater than a one stop drug store. I took the first image on monochrome mode with my 40mm pancake lens and the second, in color, with my 15mm fish eye. (A lens i use almost exclusively for concert photography.) I really love how the edges bend the closer you get to the subject. In comparison.,the monochrome image stands out for me due to the antiquated feel monochrome provides. I can’t help but feel as if I’ve been transplanted to another time. On the other hand, the fisheye lens offers a trippy vibe that makes me feel as if I’m swimming in the pages of Hunter S. Thompson’s Fear and Loathing in Las Vegas.
With my life as a studio photographer in a holding pattern and my days of shooting bands at basement shows coming to a screeching halt. I’ve had to get a little more imaginative when it comes to what I photograph. Knowing full well that a new city or town takes getting used to. I’ve done my best to do just that. Since moving to Seattle, I’ve occupied two apartments that bookmark the Seattle Center. Being somewhat of an anti-tourist. I tend to steer clear of the traps every city seem to offer. That said, I’ve always made it point to document my surroundings the best I can. With that in mind, I decided to brave the mid day sun and heat known so well to Seattle and headed over to spend some time in the green, green grass. As you can probably tell, I did my best to avoid including the famous Space Needle. To be honest, you can see it from anywhere and I’m kind of sick of it. This was shot on manual and set to monochrome. I was hoping to give it a 1960’s Worlds Fair kind of vibe.
While many portfolio sessions require weeks of planning and idea sharing. Others can be brokered with minimal planning and just a few key exchanges. Such was the case with Lauren. New images to show off a new look and style that adds an artsy edge to an already fetching body of work. During the two hours we worked together. My goal of recreating a look that was based on my love of black and white Hollywood Film Noir. By moving the main light around I was able to create the shadow and depth that once went missing in my studio work. With little to no instruction, I followed Lauren’s movement and changes to capture a number of looks and moods. In the end, the results had me recalling what drew me to my earliest experiemnts with photography and black & white film. Below are a very small sampling of what we captured.
Just below are a couple of images featuring elevator shafts I photographed this past Sunday in Jersey City and Passaic. As you can probably tell. Both images were shot from below.
It’s not every day I find such gold within spitting distance from my home base, but when I do, it’s just as much of a thrill, if not more than having to put it in the time and mileage often required. And while I’m thrilled to share some of the bounty from today’s excursion. I’m going to remain tight-lipped and secretive about its location. Hopefully there’s someone out there that enjoys this type of thing as much as I do.