With no studio, studio gear and just the basic camera body, flash and a couple of lenses available. I’ve had to get a bit more creative with my lighting and backdrops. And just as doing with less has created more opportunities than problems. Finding and booking test shots seems just as difficult in the Northwest as it was in New Jersey and New York. On my first shoot, I took photos in and around the corporate apartment I was temporarily staying in. Being that it was a sun soaked day. We retreated indoors, taking full advantage of the more subtle lighting its interiors offered. As we moved from point A to point B. I couldn’t help but feel relaxed and confident. Recalling the nervous knots I often get while working in the studio. And while I can’t wait to start booking more sessions with aspiring models, such as the one seen here. I’m not quite as eager to get back to studio work.
While many portfolio sessions require weeks of planning and idea sharing. Others can be brokered with minimal planning and just a few key exchanges. Such was the case with Lauren. New images to show off a new look and style that adds an artsy edge to an already fetching body of work. During the two hours we worked together. My goal of recreating a look that was based on my love of black and white Hollywood Film Noir. By moving the main light around I was able to create the shadow and depth that once went missing in my studio work. With little to no instruction, I followed Lauren’s movement and changes to capture a number of looks and moods. In the end, the results had me recalling what drew me to my earliest experiemnts with photography and black & white film. Below are a very small sampling of what we captured.
When I originally posted a casting call on Model Mayhem back in early May. I had no idea I would be getting such an overwhelming response from models interested in being a part of my upcoming portfolio. Yet, as I sought through the thirty or so candidates. I found a seldom few that really fit the overall feel and aesthetic I wanted to convey. As I worked through May and June with the people I had chosen. I kept in mind the ones that I was unable to immediately book due to their busy schedules and location. There was one by the name of Emily whom I would wait patiently for the right time to come.
Almost two months later, to the date, that time would come. When I went downstairs to greet Emily. I immediately noticed she was even more beautiful than any of the images in her portfolio would tell. Her big smile and upbeat personality were a welcome sight on what had already been one of the most oppressively hottest days of the early summer.
As quickly as our session started. I knew that the wait and a more detailed description of what I was looking to accomplish with the session made for an even better session than I would have ever hoped for. Her ability to move and change expression effortlessly was incredible. Emotive, expressive and flat out gorgeous. She put life in to all of the looks and vibes I was hoping to convey. Along the way we explored new lighting techniques, utilized my new canvas background and even found some use for my almost extinct CD collection. Thanks to Emily for making every image count.
Last night I sat down with a friend and fellow photographer to navigate last week’s sessions and decide on which ones were best suited for social media. The two pictured below really put the hook in me. Not that they were the best or they fit a specific project or portfolio piece. What really caught my eye was that their close resemblance to the photographs and artists who first inspired my love and appreciation for art and photography. The basic lighting and concepts that seemed so out of reach back then.
In my recent months of shooting I’ve been urged to google images and visit sites such as Pinterest and Instagram to create look books.Forming ideas and creating templates for photo sessions have become blueprints for getting exactly what I need from each session, model and shoot. Telling a model in advance, “This is what I want to shoot.” or “Can we do this?” has been a great way to inspire both myself and the person I’m working with. In the end, it allcomes down to good communicstion, preparation and proper execution.
This past Thursday I had the chance to work with Teegan on what is becoming my new portfolio. The New York by way of Florida model was a pleasure to be around. With my voice not holding up as much as I would have liked. My friend and current studio director Kevin provided much of the verbal communication. During shooting there would be moments where Teegan would just provide a look that knocked me off my feet. So much so that I had to shout out “Gorgeous” “Fantastic: or “Beautiful”. Each time her eyes and smile would light the room with an incredible smile and a thank you. Just pure joy to work with and be around. With each session I feel my anxiety lessen and my attention to detail grow. Making me feel grateful for the opportunity to get back to the things I love. Learning new things while adding new layers to the template. The left and middle images were shot on a new Fashion Grey seamless. The right was taken shot on the roof with a reflector.
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In building a new portfolio I’ve been trying to show consistency in both my lighting and settings. The blueprint started with using a two light set up consisting of a beauty dish and a fill light fitted with a 72′ inch umbrella. As the sessions have progressed. I’ve tried to add a new element to each session. The project started using a seemless background for the majority of the session before quickly moving to a concrete column (L) that separates the kitchen from the living room. On to the foyer which features a giant black / chalkboard wall before finishing up with a few outdoor shots, typically on the roof. It’s a pattern that’s built from one shoot to the next. One that’s rendered improving results with each try. Today’s session with Kristina was more than I could ask for. Great looks, makeup, style and personality to match. On top of all the studio fun. She helped me overcome my fear of heights by simply showing her own.