I can’t begin to tell you how often I’ve wanted to pull the over to spend an hour or two taking pictures. Knowing what my wife’s reaction will be, I keep my mouth shut and my enthusiasm in check. That said, there are moments and opportunities that I can’t pass on. Knowing how protective my wife has become and my not wanting to be made fun of, due to my obsession. I’ve been forced to try new things.
The other night was a perfect example as we were on the final leg of our trip back to the hotel. The colors and shapes in the sky caused by the setting sun were off the charts. (My favorite time of the day to photograph landscapes.) With no filters or flash and no intention of asking her to pull over. I adjusted my camera settings, leaned forward and took a few images to take home with me. I was somewhat surprised how well the images came out. With no reflection from our dirty windshield. I guess I found a temporary filter without actually looking of paying for one. Not bad. Not bad at all.
“Location, location, location” and “Just look at that view.” are perhaps two of the most repeated terms in real estate history. As someone who often chose location over the view. I’ve had the somewhat common experience to have faced alleyways, brick walls and even have an eye shot of a great big Burger King sign. However, moving to our current home we’ve often turned our attention from the television to either go out on the balcony, up to the roof deck or just saddle up to the windows. It’s true that time often allows us to take even the most beautiful things for granted. However, I can’t recall a day when I didn’t race to the window or balcony to watch the sun go down. The reason for composing this shot was the positioning of the boats and the dramatic manner in which the sun was protruding through the clouds.
I have a habit of overthinking. When I get something in my head or get passionate for something, I go all in. Being that I’ve suddenly decided I wanted to get back to taking pictures, (Not that I ever really stopped.) I’ve been spending a lot of time watching videos about composition, lighting and long exposures. So, as I lay in bed last night, I began to think of that box of matches we have. The ones we use to light candles when our farts are particularly foul. There I was, unable to sleep because I couldn’t stop thinking about how I wanted to capture those matches. So, after I got up this morning, showered and enjoyed my first cup of coffee, I got to work. After a few, less than satisfactory attempts, I finally captured the matches as I had imagined as I lie awake the night before.
I had just arrived at my boxing class when my trainer asked me about my goat shirt and where I picked it up. While I was readily eager to share my love, appreciation and understanding of goat’s contributions to society. I could not recall the name of the market where I picked it up. “Oh, you know that art market they have in the airplane hanger.” was all I come up with at the time. The truth is, that since moving to Seattle in June of 2017. I’ve left most of, it not all of the weekend driving to my wife. Though much of my driving during the week has me within the Columbia City, Downtown and West Seattle areas. The weekends usually take us far beyond the areas mentioned. And while I retain minute details of the places we’ve visited. I can rarely remember the names of the towns, cities and businesses. Having visited the same market just a week ago. I still never bothered to remember the town, military base or the name of the market. Who knows, maybe it’s a subliminally intentional thing. If life has taught me anything. It’s that, the less you know…
I took this image as we entered the market. Let me know if you recognize the place.
One might ask. “What’s better than ordering delicious four dollar Vietnamese sandwiches on a Saturday afternoon?” How does doing so at a nearby Vietnamese restaurant that offers billiards and an open bar while you wait, sound? Okay, so I did leave my camera bag in the car and was forced to rely on my iPhone 7 for proof. That won’t keep me from sharing.
For some time now I’ve wanted to get back on track with my boudoir photography. Having moved on from a very small and awkward space to a large and more open one was a major factor. Mostly though, taking the lighting techniques I’ve learned since then and employing them to work I feel I’m ready to produce. While I’ve always strived to provide both a fun and safe environment. Learning the tools to create the mood and setting makes for less guessing and more time to create. As we enter the New Year. Think about finally booking a Boudoir session. They make for a great gift for yourself or a loved one. A time capsule you can look back on with pride and joy. Email me at email@example.com for more information or to book a session.
It’s often I find a friend who not only shares my passion for documenting the off-limits. Even more of a rarity when one asks if they can come along. When that friend just happens to have worked with me in a studio environment. The urge to capture that beauty among the rubble is surely alluring, but then again. When will I have time to spend wandering with this friend. Why would I steal time from this perfect moment, only to turn it into something it was never intended to be? Realizing just that so quickly not only allowed me to enjoy her company. It served as a lesson in that I in order to become a better communicator. I need to become a better listener. I’m not there yet. Far from it, but knowing where I want to be heading just might get me there faster. The images I posted below will hopefully express my intention to include her while allowing her a sense of ambiguity.
As the cars sped by on both sides of the concrete divider. I couldn’t help but think back to my earliest days on the Bowery standing just outside of CBGB’s. That short, yet treacherous dash from the curb of CBGB’S to the Bodega across the street was almost as risky as jumping in to a pit of raging fists occupying the real estate in front of the clubs stage. And just as I witnessed many enthusiastic participants knocked to the clubs floor. The number of pedestrians who never made it all the way across were enough to make one question how important that cold beverage really was.
Yet just as i left the nights event a few blocks south of my original haunt. I found myself setting up my tripod on that narrow slither of concrete known to many as a pedestrian divider. Having just recently been properly introduced to shooting long exposures. I was more than inspired to take what I’d learned to the busy streets of lower Manhattan.Crouching down, I quickly assembled my tripod and set it on manual. Waiting for the lens to close and complete the shot. I could feel the wind from the passing automobiles pushing me off my already unbalanced heels. Lucky for me. One shot, the one you see here, was all I needed. Using the little brains I seem to have left. I moved back to the sidewalk and on to Houston street to capture a few more shots before I headed home.
Having worked with Iya numerous times during my years of shooting in my cramped Hoboken home studio. I’ve been eager to have her over to the Loft to close out my new portfolio in a much more open and for lack of a better word, lofty space. Having someone who was both a friend and an experienced model at my disposal initially felt like a no brainer. However, her inquiry regarding my providing a makeup artist and/or stylist threw me in to panic mode. And while having one of the industries best makeup by stephanie perez living in the adjacent loft went a long way to ease my tensions. Trying to book her only days in advance was a bit of a challenge. In the end, the m.u.a’s assistant Karen not only stepped in. She amazed. As beautiful as Iya looked walking through my door. *&^%$% had her looking like an absolute goddess. Going forward as a photographer, I hope to incorporate the use of a make up artist and stylist. Knowing that I have such fantastic options at arms reach is very reassuring.I highly recommend you take s look at Satephanie’s site. I assure you, you’ll be inspired.
When I originally posted a casting call on Model Mayhem back in early May. I had no idea I would be getting such an overwhelming response from models interested in being a part of my upcoming portfolio. Yet, as I sought through the thirty or so candidates. I found a seldom few that really fit the overall feel and aesthetic I wanted to convey. As I worked through May and June with the people I had chosen. I kept in mind the ones that I was unable to immediately book due to their busy schedules and location. There was one by the name of Emily whom I would wait patiently for the right time to come.
Almost two months later, to the date, that time would come. When I went downstairs to greet Emily. I immediately noticed she was even more beautiful than any of the images in her portfolio would tell. Her big smile and upbeat personality were a welcome sight on what had already been one of the most oppressively hottest days of the early summer.
As quickly as our session started. I knew that the wait and a more detailed description of what I was looking to accomplish with the session made for an even better session than I would have ever hoped for. Her ability to move and change expression effortlessly was incredible. Emotive, expressive and flat out gorgeous. She put life in to all of the looks and vibes I was hoping to convey. Along the way we explored new lighting techniques, utilized my new canvas background and even found some use for my almost extinct CD collection. Thanks to Emily for making every image count.