I’ve started to gather pictures for a book I hope to publish before the earth or yours truly goes “Kaboom!” It’s one of two projects I’ve had in mind for some time. The working title is “Bystander” which will focus on my years photographing and interacting with bands, musicians and artists within punk, hardcore and indie rock over the years. It will hopefully include anecdotes about the artists , as well as various quotes from the many interviews I’ve done over the years. I’ve already got someone to write the foreword and ideas as to which photos for the front, back cover and inlet will be. I’ve been posting about four pictures a day in one of my facebook folders. Allowing you to see new material on an almost daily basis. I’m posting a link below and welcome you to both visit and comment whenever you see fit.
After seeing several of my images used without permission, notification or credit on separate platforms in recent weeks, I’m seriously considering watermarking anything I share or post in the future. For quite some time now, I’ve been frustrated by the fact that individuals see no fault in taking and using someone’s work or personal property without at the very least, asking. For whatever reason, this has always been a music related issue for me. Bands, record labels, magazines and the what not perhaps thinking that someone else’s work is public domain. While it was a personal friend and professional photographer who, years ago, convinced me to stop watermarking my work, it was another who upon relaying my frustrations, asked me, why on earth I wasn’t.
Upon sharing some new watermarks with a friend and my ideas with my wife, I was told that someone might crop out my watermark if it was perhaps placed incorrectly, or that I might consider sharing small, grainy ones instead. Needless to say, it’s frustrating. While this could take some time, I feel that with some time and patient research, I’ll be using more watermarks to both protect my work and piss off the mother fuckers who take without asking. Below are some links to my recent discoveries.
A watermark I’ve used in the past.
Most collectors have their stories, their telltales about the day they sold their records. Even my Dad lowers his head in shame whenever he recalls the day when some old man carted away a rather robust album collection that included catalogs from artists such as Frank Zappa, Tom Waits and Leon Russell.
My story is a simple one. A few months prior to getting married and and a per-marriage honeymoon to Japan. I decided to sell what seemed to be a massive collection of first pressing hardcore/punk records and demo cassettes. While my current record collection dwarfs that of the two crates of LP’s, two boxes of ‘7 inch records and crates of old hardcore demos. Due to the fact that Discogs was still years away from existing. I took to Ebay and began posting a few records a day. To my surprise, the money was good and everything I posted sold. Quickly, I went from two posts a day to seven. Demos I was either given of piad a buck or two for were going for upward of forty dollars and singles I purchased for no more than three to five dollars were selling for upward of a hundred. Within a few months I had sold almost everything. I had money in my pocket and extra space in my closets. Being somewhat nostalgic. I put aside some records that held any sentimental value. Then, just before my fiance’s and my trip to Japan, I gave in and put those sentimental pieces up for sale. The bids quickly rolled in, as did offers from Asia and Europe. Those records brought in hundreds of dollars a piece.
Following a visit to a vinyl junkies home some years ago. I began buying, crate digging and reacquiring records at a quick rate. The obsession included bi-weekly trips to local and not so local record stores as well as ordering ordering new release online from my favorite record labels and distributors. In just few years, I’ve dwarfed the size of my original collection and continue to add to what is quickly taking up every space and crevice of our current home.
This weekend, as we planned trips to both Olympia and attending a nearby record show at the Armory here in Seattle. I began to develop a sense of anxiety in regards to what I would find and take home. How much money I would spend and where those supposed records would be filed. In the end, I’d attend said record show as well as visiting two record stores. (Rainy Day Records in Olympia and Sonic Boom in Ballard.) And while I carried two hundred dollars in cash to the record show. I left with nothing. In the end I picked up four records this weekend. (Three at Rainy Day and one at Sonic Boom.) As The day came to a close. My wife reminded me of the quickly approaching Record Store Day. Talk about being an enabler.
It never fails. Whenever I enter a record store, it happens. Something, whether it be a song, a record, a shirt or any exchange regarding music. A connection is made. From my days as a teen working in a record store or m\y visits to record stores in any town, city or country I’ve visited.
During my first days in Seattle I found myself in a small record shop talking to a native New Yorker who did time on the early New York Hardcore scene. He pointed himself out in a Live DVD of the first Bad Brains show at CBGB’s. Later on that week I struck up a conversation with another employee who used to volunteer at the legendary Gilman St. Project. Just last week I was pulling records out of the bin when I learned that the clerk behind the counter was also originally from New York City and worked at a record store just a few blocks from the one off St. Marks St. where I was working nights.
Then there was this Sunday when I visited a record store a mere block away from where my wife and I had just devoured delicious servings of chicken and waffles. I had been to this particular store numerous times when I first settled in the area and had always found something to my liking. On this day, as I took my stash to the counter. I noticed the clerk was wearing a shirt from the surf rock superhero band Daikaiju. I pointed out the shirt and asked when/where he had seen them. Adding that I had had the pleasure of seeing them up close at a bar in Brooklyn, NY.
In late 2017 I found a kindred spirit while talking music with the record guru at a local West Seattle record store. and found myself in deep conversation could go on and on with countless stories regarding friends and relationships that began while visiting record stores or going to shows, but I’ll spare you of my never ending tales of geekdom. Instead, I offer this images of the mighty Daikaiju from their show at Hank’s Saloon in Brooklyn, NY.
I’m lucky enough to have a Mom and a Dad who are both healthy and alive. And while I seldom give my Mother a break about her considerably bad taste in music. Both have played a major part in influencing and supporting my never ending obsession for so long. While I’ve learned to avoid conversations about religion, politics or any sociological topics. A good bull session about music is a great way to pass the time while helping to avoid any bloodletting during any visit or phone call. Though his love of the blues and New Orleans jazz can never be questioned. A conversation regarding Tom Waits, Frank Zappa or the Night Tripper, Dr. John (Gris-Gris) can go on for days. Some of my earliest memories revolve around sitting among my parents combined record collections. Strange how it remains one of the very few memories of my parents being together. Sitting within a pile of my parents record collection. No more than four, maybe five years old. Completely freaked out by the cover art of records like Leon Russell’s “Stop All That Jazz” Frank Zappa’s “200 Motels” or Pink Floyd’s “Wish You Were Here”. Album covers that told stories I might not be quite ready to read. One’s that might have me checking the closet or under the bed that night. A few years later, as my ear for music began to form. My Dad would sit me down and play Jimi Hendrix, Eric Clapton’s Blues Breakers, and for me, the most painful torture a nine year old can suffer, Frank Zappa’s 79′ release “Joe’s Garage.” Years later though, many of the records and artists my parents introduced me to reside in my own record collection. Artists such as Frank Zappa, Hendrix and especially Tom Waits get countless play on the turntable and all my other modes of music enjoyment. I pick up just about every Leon Russell and Frank Zappa I see and being drawn to record based on it’s cover art remains crucial to many of my crate digging adventures. Still, I can recall sitting in my pajamas among those piles of records, How each cover either told a story or inspired me to create one,
Last night I received a heads up that the print I had mailed to a friend had arrived. Just a week before, Cindi stopped in at the loft for a fun, laid back photo session that would hopefully allow me to test some new gear and experiment with high key lighting. I style I had just learned from a friend and fellow photographer. Looking at older studio sessions I often shot a darker, low key side that tended to produce, moody yet stark results. Hoping to bing light to both my work and mood. I enlisted one of my favorite musicians. The image below, her showing off my box set of The Replacements first four albums. Was a personal favorite. In the past we’ve shared our mutual love for the band. Sending her an enlargement was just my way of thanking her for helping me to try some new things while returning to the type of work that inspires me the most. Thanks Cindi.
Over the weekend I had a musician friend over for some promotional shots. During those two or so hours we tried several looks while playing around with different lighting setups. Later that night as I began going through our session. I began to compare color shots with B&W copies I had made. To no surprise, I found myself preferring the B&W versions over and over. Knowing how predominant my love of B&W can be. I thought it would a good idea to get some opinions on the matter. Comments welcome.