Below are a couple of closeups that focus on the bass and guitar of Holy City Zoo’s AJ Russo and Frank Joseph. HCZ were one of my favorite bands’ that populated the Tiny Giants collective. Having been a part of the collective, myself. I’d go out and see them live, every chance I got.
How I wound up in a car headed to Connecticut with a Hare Krisna band is a conversation for another day having forged a friendship with one of the ban’s bass player just days before was enough to secure a seat and a round trip ride with the band Baby Gopal. After a stop at a Brooklyn Krishna temple and dropping by Sri’s in-laws (Ray Cappo’s parents) home, we headed to Connecticut’s Tune Inn, where Baby Gopal and a host of other bands, most notable for me, Samuel were to perform. Below are a couple of images I captured of the group.
The bands ‘Lives of Insects’ ep on Art Monk Construction still sits in my record collection today, receiving regular play. There are a couple of other singles out there, including a split with New York’s Texas is the Reason, also released by Art Monk Construction. Check them out Here
Plain and simple, Superchunk changed my life while leading me into an exciting and rewarding musical direction that still inspires me while eating up most of my time and disposable cash. After a few years of worshiping the band and picking up everything I could find from Merge records, I finally got to see the band live at the intimate settings of my favorite music venue, Maxwells. ‘Till this day, 1991’s “No Pocky for Kitty'”and 1993’s “On the Mouth” still get regular spins and remain as two of my desert island discs. If I can recommend anything. It would be to visit Merge records and get to know each and every band and record on the site. Merge Records
One of the earlier shots taken during my photographic journey. One I look back on with a sense of pride. This one of Jon Procopio playing guitar with Dahlia Seed at what I believe to be Maxwells. Jon, also known as Dapper Jon to some, played guitar with both Dahlia Seed and Dune Buggy. Two bands I loved and still love. Jon is, without a doubt, one of the nicer people I’ve met along the way. Long after the band’s breakup, I’d look forward to seeing him friends BBQ’s, parties and social gatherings. Being that Dahlia Seed were and still are a very special band to me, this will be only one of many posts featuring the band. For now though, I just wanted to give Jon and this image their propers.
Here’s another photo from that Staten Island VFW show. Though I could be wrong, I believe this be the Aaron Lazausk of the Rockville, Connecticut emo/noise-core band Cable. Like I said in my earlier post featuring an image of Three Steps Up, there were some really amazing bands on this bill. At the time, the band had a split ‘7 inch with Staten Island’s Malcom’s Lost (also on the bill) and were just about to release ‘Variable Speed Drive’ on Doghouse records. An eight song powerhouse that I would come to know the band best for. When I think of all the now highly regarded bands I saw in basements, cavernous clubs and VFW halls, it gives me somewhat of a rush. Almost as if I was on to something long before all the squares got a hold of it.
Due in large to the recent calls for social distancing and the fact many states have called for a primary lockdown, I’ve had more free time than I know what to do with. I’ve regularly found myself going through images I took of bands I went out to see in basements, bars, venues, and concert halls. In doing so, I’ve come to the conclusion that I might not ever be able to do much with more with them than I already have. So instead of just calling it a day and closing the door on that chapter in my life,
I can take some of my favorites and use them to start an addition to my blog. Being that I took my first music image at my sixteenth birthday party and have worked in film, chrome, and digital with numerous cameras and lenses over the years. Finding enough photos to post might keep me busy while refreshing my memories regarding the shows I attended and just why I decided to bring a camera. The hardest part thus far was deciding whether to post images chronologically or in some sort of spirited randomness. In the end, I decided to randomly post pictures and stories from the two or so decades I was actively shooting. Considering the number of shows I’ve attended and acts I’ve photographed, I’ve got plenty of ammunition to keep things going. Along with the images and anecdotes, I hope to include links where, if interested, you can find more information about the artists. Until then.
I’ve started to gather pictures for a book I hope to publish before the earth or yours truly goes “Kaboom!” It’s one of two projects I’ve had in mind for some time. The working title is “Bystander” which will focus on my years photographing and interacting with bands, musicians and artists within punk, hardcore and indie rock over the years. It will hopefully include anecdotes about the artists , as well as various quotes from the many interviews I’ve done over the years. I’ve already got someone to write the foreword and ideas as to which photos for the front, back cover and inlet will be. I’ve been posting about four pictures a day in one of my facebook folders. Allowing you to see new material on an almost daily basis. I’m posting a link below and welcome you to both visit and comment whenever you see fit.
I just wanted to take a moment to share some of my reviews and interviews featured on Jersey Beat. I’ve been photographing and writing about music for over thirty years now. Being offered my own column by one one of the longest running indie rock publications was an honor. Taking that offer and running with it has been an absolute pleasure. Below I’ve attached links to both my column and the many interviews I’ve been able to conduct over the last two plus years.
Whenever leaving home with my wife. she always conducts a thorough search of what travels through the front door. “Keys? Check. Wallet? Check. Cell Phone? Check.” Anything beyond that, though, gets serious scrutiny. With my computer, hard drive and oversized headphones already packed and prepared for our end of the day stop for coffee and several hours of power writing and internet obsessive searching, the mere mention or sight of my camera bag usually brings on a scowl and interrogation as to what the hell do you need that for? (Now, granted, over the years I’ve added extra lenses, flashes and other tricks of the trade to my arsenal. Thus adding noticeable weight and the need for a bigger camera bag.)
However, despite a growing bag of tricks and a hard drive that’s busting at the seems, I still live and see through a photographers eye. After decades of shooting, I still feel the draw of documenting the places I’ve been and the things I’ve seen. Still, that look I get from my wife coupled with the desire to travel light, I’m learning to enjoy things with documenting them. And while I often regret leaving my camera behind, having my cell phone handy allows me a little creative relief. I snapped these shots just off 6th Ave. in Tacoma while returning to our car. It reminded me of my younger days going to hardcore shows throughout New York, New Jersey and Connecticut.
While I haven’t quite quit the habit of bringing my camera to shows. I’ve made it a priority to capture less images. Instead of capturing a series of ones I feel best capture the bands live performance. I’ve focused on getting one or two that I feel capture the essence the music, it’s sound and how it resonates with me. In the case of New Jersey’s TRU. I felt their mix of dream pop and shoegaze warranted more of an artsy, conceptualized approach than that of the Punk and Metal bands I’ve used to seeing.