It’s Sunday and I’m still trying to finish a music review that, by all means, should have been finished and submitted this past Friday. After writing chapters extolling the virtues of this particular artist and their thirteen-song opus. Still, I hang on word, a sentence or the right description that will close out this upcoming release. Words that will allow me to finish and submit . Words that will allow me to go on with my life and maybe, just maybe, die a happy man.
Knowing that, once again, I would not find the right words to properly articulate my feeling on the subject. I loaded up the mini cooper with my camera and bag of lenses I would not be using and drove to nearby West Seattle and Seacrest Park for a few photos of downtown Seattle. Though the sky was blue and the sun was shining bright. It felt as if this was one of the coldest days I’ve experienced here. Still, the chance of a blue sky and a clear day in Seattle is hard to pass on.
With no studio, studio gear and just the basic camera body, flash and a couple of lenses available. I’ve had to get a bit more creative with my lighting and backdrops. And just as doing with less has created more opportunities than problems. Finding and booking test shots seems just as difficult in the Northwest as it was in New Jersey and New York. On my first shoot, I took photos in and around the corporate apartment I was temporarily staying in. Being that it was a sun soaked day. We retreated indoors, taking full advantage of the more subtle lighting its interiors offered. As we moved from point A to point B. I couldn’t help but feel relaxed and confident. Recalling the nervous knots I often get while working in the studio. And while I can’t wait to start booking more sessions with aspiring models, such as the one seen here. I’m not quite as eager to get back to studio work.
Being that I still haven’t adjusted to Seattle’s time zone. Waking up at 5:00 am each day leaves a couple of hours to get out for some fresh morning air. So, on this first Monday morning of my time here. I did just that. Of all the things that welcomed us to the area. It was this micro record / skate shop Here. The tiny shack whose size make me think it once served as a Fotomat or a hot dog stand. So small, I’ve yet to muster the courage to drop in for a look. Finding out that my temporary digs offer more than just a corporate enclave of cold buildings and kiosks has been reassuring to me. As the days pass. I’m hoping my curiosity will take me further. As I hope to get more acquainted with the city’s transit system.
After Sunday’s nude session I was both eager and anxious about sharing the results with my friend and mentor down the hall. He’s been a great teacher who has made it a habit to share his positive thoughts before sprinkling in any much appreciated criticism. I say “appreciated” because if it were not for those much feared critiques. I would have never grown or learned to improve on the things that have been holding me back. Imagine the combination of relief and glee I felt when he remarked how good the pictures from that session were and why. Going as far as saying that this was the best work I’ve done to date. Declaring that, as I move forward. This should be my portfolio. That school was out and I had graduated. The End.
It’s not often when I ask a friend to model for me. Let alone, strip down to her bare essentials to help me tests ideas, such as boudoir set ups I’d like to do in the future. So when it came to asking one particular girl to help me out. At the very least, I was fully expecting a flat out rejection. When she surprisingly agreed. I did everything I could to make her and myself feel as comfortable and pressure free as possible. My goal for this particular session was to project a sense of warmth and intimacy. A mix of subtle lighting, varied backgrounds and a great rapport with my model friend. I think we did a great job. And while my setup will need some adjusting. I’m grateful for getting the opportunity to work with someone I enjoy spending time with.
When I left the home last night. I thought I had it all covered. Keys? Check. Wallet? Check. Camera with battery and card? Check. Tripod? Check. Off I went, as I drove to my nearby destination. After I parked and unloaded my vehicle. I realized that something was missing. Searching both my car trunk and my fading memory, I realized I left the tripods.release plate on the kitchen table. Disappointed yet undaunted, I tried to make the best of it. I found a nearby stoop to keep the camera steady while the shutter remained open. I took two shots, this being my favorite, before heading home in search of the missing piece. Surprisingly, the two images I did take came out pretty damn good.
As someone who’s always been in love with photography. I often find myself enamored with the styles and techniques I myself have yet to learn. With long exposures and night photography being a long time personal inspiration of mine. I felt extremely thankful when a friend and fellow photographer shared some easily applicable information with me. Being one who tends to crave the company of others as well as subjects to photograph. Time has taught me that time alone, solitude and the peace it often provides offer me more time to learn and grow. Something that almost immediately presents itself when working with long exposures Having only experimented with the concept on occasion over the last couple of weeks. I quickly realized the therapeutic rewards of these rare moments. As I stood there. The only time I really felt the least bit uneasy was when friendly neighbors stopped for a moment to say hello or if you’d believe it, to talk shop about gear. That hour or so where it was just me, my Canon 5D Mark III and my tripod was all the meditation one could ask for.