Heading out, I reminded myself that I din’t want to set up in the same spot or take the same photographs I did the day before. Although I was happy with the results. I had no intention of repeating my actions, whether it be by documenting the same subject matter or staying safe by depending on the same settings. With little or no traffic passing. I looked toward the street lights and that coming from the buildings lobby to capture this image. By day two of my little experiment, I can’t help but be happy with the results of getting up early, experimenting with long exposures and enjoying the little moments of solitude.
I can’t begin to tell you how often I’ve wanted to pull the car over to spend an hour or two taking pictures. Knowing what my wife’s reaction will be, I keep my mouth shut and my enthusiasm in check. That said, there are moments and opportunities that I can’t pass on. Knowing how protective my wife has become and my not wanting to be made fun of, due to my obsession. I’ve been forced to try new things.
The other night was a perfect example as we were on the final leg of our trip back to the hotel. The colors and shapes in the sky caused by the setting sun were off the charts. (My favorite time of the day to photograph landscapes.) With no filters or flash and no intention of asking her to pull over. I adjusted my camera settings, leaned forward and took a few images to take home with me. I was somewhat surprised how well the images came out. With no reflection from our dirty windshield. I guess I found a temporary filter without actually looking of paying for one. Not bad. Not bad at all.
Over the last week, I’ve spent a lot of time getting to know the features on my camera. Experimenting with long exposures and mapping out areas where I’d like to put my ideas to work. Being that the symptoms of my sorta/kinda diagnosis have consistently worsened in recent weeks and months. My wife has become warier of my jetting off in the wee hours of the night without her.
So one night, just before dusk. We drove down to Seattle’s International District, where I immediately realized why, when it comes to photography, it’s almost always better to go it alone. After passing up a half a dozen spots that she deemed unsafe. We settled for Dr. Jose Rizal Park. A nice place, but one I had taken pictures from at least a dozen times. From her continually telling me to move to spare people from having to simply sidestep me. To telling me where to focus and complaining about why I had chosen to take long exposures and her getting cold on a brisk June night. Needless to say, I did not have the opportunity to take many images or follow through with any ideas I might have had. Instead, I spent the ride home explaining camera settings to a woman who, more than not, refuses to take any pictures. Overall, Dr. Jose Rizal Park and the overpass that leads you there are great spots to capture the city of Seattle, I-9, the sunset and T-Mobil park, I highly recommend visiting.
Though I’ve been using my Canon 50 mm 1.8 as a primary lens since I first purchased it some weeks ago. The original reason for the purchase was to have a backup lens for my concert photography. One that essentially eliminating the need for flash by using a faster (1.8 as opposed to my current 2.8) So this Sunday I headed down to The Cake Shop on Ludlow to test it out. Lucky for me, one of my favorite live acts, Stuyvesant, was playing along with a couple of other acts. Though the Cake Shop is less than ideal for shooting a band. It provided the space and distance I needed to try out the lens. Though I found myself shooting at an ISO of 3200, I found that I liked the results. And while I’m not quite ready to ditch the Canon 15mm I usually enlist. I know I’ll be doing plenty of experimenting with Canon’s 50mm 1.4 Below are some results. The one at the bottom features Sean Adams of the band Stuyvesant.