If you’ve been paying attention, you might notice that I’ve discontinued a feature I started back in April of 2020. “United By” was the skeleton for a book featuring many of the concert/show images I had taken over the years. After a spirited start, reality set in, and the idea went into the “Maybe someday.” to do file; however, after finding a template where I could build my project at my own pace. Things picked up rapidly. After seeing the right person to pen the books foreward and an incredible editor, I began reaching out to band members and people involved in putting on shows, putting out records, and giving a voice to those who create. The responses and thoughts added much-needed yet previously void of life to both the images and my little project’s purpose. Work continues as I wait for the final images to be digitized and downloadable. Though things seem to be wrapping up on my side, I know there is still a lot of work to do before figuring out how to submit it to publishers. Here’s to a long wait.
I recently had the opportunity and pleasure of interviewing Vision guitarist Peter Tabbot. Co-founder of the legendary hardcore band Vision. We talked about the band Vision, the death of the bands singer and close friend Dave Franklin. His contributions to the City Gardens rock – doc “Riot on the Dance Floor.” and his work as a health officer and teacher. You can read and learn more by clicking the link below.
Since moving to Seattle in the Spring of 2017. I’ve spent a lot of time exploring Washington States abundant arraye of record stores with Singles Going Steady being one of my personal favorites. Aside from a stock that focuses on underground, independent and extreme music. You’ll never leave without a great conversation to add to your selection of stellar releases both used and new. It was through our many conversations that I felt Byron would make for a great interview. As a young witness to the early days days of West Coast hardcore / punk. A volunteer at the storied all ages punk music venue The Gilman St. Project and countless other adventures. His interview is chock full of vivid storytelling. There’s a link to the interview at the bottom.
Existing from 1988 – 1998 Washington DC’s Safari Club provided a home for countless local and touring bands, Offering an all ages atmosphere had a lasting impact that can still be felt today. I reached to Rich Dollinger and Shawna Kenney to answer some questions while sharing some memories of the time and the club.
Over time, I began to include a few pictures of the crowds expressions, participation and overall reaction to particular acts, sets and song. For as long as I’ve attended shows and gone to concerts, every act with little to no exception, had a particular song that the audience knew every word, hook and breakdown. While it was always a great opportunity to capture the moment when a singer reaches his emotional halcyon or time the moment when the guitarist launches in the air. It might also be the perfect opportunity to catch the reaction to the crowd. The images to your right were captured about eight years apart. The above captures the crowd at a Revelation Records showcase at CBGB’s. While the one below shows the emotion of the crowd during a set by the band Thursday at Atlantic City’s House of Blues.
Bivouac were a band from Derby, England who had an excellent album called ‘Tuber’ on Elemental in 1993. On that album was an acoustic jam called ‘Dead End Friend’ which featured a verse “Daren’t go to the dentist…for fear of being (pause) fucked while you’re asleep.” It was a great song and I played the fuck out of it. When the time came for them to tour, they stopped in New York City to play CBGB’s. I was able to set up an interview with which was conducted outside the club guitarist, vocalist (pictured below) Paul Yeardon, in which we talked about touring, the bands reactions to being in New York City for the first time, and of course, our mutual fears of the dentist. I highly recommend checking out the band and learning more about their music.
I fondly remember listening to records while hanging out at my friend Tim’s House. Along with our love for our mutual love for the Descendants, All and others, we both reveled in the joy that was ‘Album Type Thing’ by California’s Big Drill Car. Along with the Doughboys, Big Drill Car was perhaps the two bands I listened at the time. Though I was immediately hooked on songs such as ’16 Lines’, “No Need,’ ‘In Green Fields,’ ‘Diamond Earrings’, and their cover of Cheap Trick’s ‘Surrender.’ In retrospect, I think it took me a while to remember the name Big Drill Car. For reasons unknown to me now, the name just seemed odd and even outlandish. Still, I was so psyched when they came out east and played Maxwells. Though I can’t recall who they played with. I remember the room being packed and the energy from both the band and the crowd being paramount. ‘Til this day, I still listen to the bands’ recorded output and have both compact disc and vinyl versions of everything the band released. Below is a link to Discogs to view all their releases.
I first met Al when he was playing bass for New Jersey’s Dog Tired. A punk band heavily influenced by bands such as the Pogues and Still Little Fingers with lyrical muscle that might find itself swimming with more emotive bands such as Dischord Records Rites of Spring and Embrace.
When I moved to Manhattan in 1994, I began to see more and more of Al. I always and still do, consider him a good friend. Enjoying going to see him in a number of bands including The Fury’s (Who eventually changed their name to The Truents.) and (pictured here.) The Deviators. Though I haven’t seen Al in years, I’m sure if we ran int0 one another, we’d be able to pick up just where we left off. If interested, you can find more information about Dog Tired, The Truents and The Deviators on Discogs. I’ll leave a link just below.
How I wound up in a car headed to Connecticut with a Hare Krisna band is a conversation for another day having forged a friendship with one of the ban’s bass player just days before was enough to secure a seat and a round trip ride with the band Baby Gopal. After a stop at a Brooklyn Krishna temple and dropping by Sri’s in-laws (Ray Cappo’s parents) home, we headed to Connecticut’s Tune Inn, where Baby Gopal and a host of other bands, most notable for me, Samuel were to perform. Below are a couple of images I captured of the group.
The bands ‘Lives of Insects’ ep on Art Monk Construction still sits in my record collection today, receiving regular play. There are a couple of other singles out there, including a split with New York’s Texas is the Reason, also released by Art Monk Construction. Check them out Here