If you’ve been paying attention, you might notice that I’ve discontinued a feature I started back in April of 2020. “United By” was the skeleton for a book featuring many of the concert/show images I had taken over the years. After a spirited start, reality set in, and the idea went into the “Maybe someday.” to do file; however, after finding a template where I could build my project at my own pace. Things picked up rapidly. After seeing the right person to pen the books foreward and an incredible editor, I began reaching out to band members and people involved in putting on shows, putting out records, and giving a voice to those who create. The responses and thoughts added much-needed yet previously void of life to both the images and my little project’s purpose. Work continues as I wait for the final images to be digitized and downloadable. Though things seem to be wrapping up on my side, I know there is still a lot of work to do before figuring out how to submit it to publishers. Here’s to a long wait.
I just wanted to take a moment to share some of my reviews and interviews featured on Jersey Beat. I’ve been photographing and writing about music for over thirty years now. Being offered my own column by one one of the longest running indie rock publications was an honor. Taking that offer and running with it has been an absolute pleasure. Below I’ve attached links to both my column and the many interviews I’ve been able to conduct over the last two plus years.
In a recent conversation with friend, fellow photographer and mentor Kevin. I was questioned about my use of watermarks. I explained that I had so many of my music related photos used without permission, notice or credit over the years and how using a watermark gave me a sense of assurance that such branding would cut down on, if not eliminate the practice of taking without asking. As ridiculous as it might seem, it pisses me off when I have to ask for a photo credit after it’s already been used without notification. In the days of film, this never seemed to be an issue, due to the fact that you, the photographer, owned the negative. In a time of social media’s immediacy and a digital age where a file / image replaces the negative. Problems certainly have more of a chance to arise.
Still, his question and critique really made me think. Is it really worth it? Does it reduce the emotion or intended message within the image. If so, does that tiny assurance relieve any of the anxiety or paranoia of having one of your shots appear uncredited on someone’s band page? Probably not. But still, it’s an idea I’m still not ready to completely embrace. So, what do you think? Bands, Photographers? I’d love to hear from you.
My wife has put it in my head that I should get to work on publishing a book. After numerous conversations and shared ideas. We decided it to play it safe by starting with what I know and do best, that being music photography. Noting my special gift in lacking focus and working on numerous projects at the same time. She gave me the simplified task of choosing twenty images from the last four years of shooting live music and occasionally having them in the studio. Simple enough right? Well, in the two weeks that have followed I’ve set two images aside. Slow? Yes, very. However, I’m going on a number of factors when deciding. One factor being the subjects reaction and appreciation of the image.
The image below was taken of The Brixton Riot’s Jerry Lardieri at Maxwell’s during a particularly rewarding benefit show. Since that show I’ve become a big fan of the band as well as a friend of Jerry’s. I hope to finish this “Twenty Bands” project before long. As I continue picking the next nineteen. I hope to share my choices as well as the stories behind them. Feel free to share your feelings on my choices as well as the bands and artists featured. Here we go.