Over time, I began to include a few pictures of the crowds expressions, participation and overall reaction to particular acts, sets and song. For as long as I’ve attended shows and gone to concerts, every act with little to no exception, had a particular song that the audience knew every word, hook and breakdown. While it was always a great opportunity to capture the moment when a singer reaches his emotional halcyon or time the moment when the guitarist launches in the air. It might also be the perfect opportunity to catch the reaction to the crowd. The images to your right were captured about eight years apart. The above captures the crowd at a Revelation Records showcase at CBGB’s. While the one below shows the emotion of the crowd during a set by the band Thursday at Atlantic City’s House of Blues.
Bivouac were a band from Derby, England who had an excellent album called ‘Tuber’ on Elemental in 1993. On that album was an acoustic jam called ‘Dead End Friend’ which featured a verse “Daren’t go to the dentist…for fear of being (pause) fucked while you’re asleep.” It was a great song and I played the fuck out of it. When the time came for them to tour, they stopped in New York City to play CBGB’s. I was able to set up an interview with which was conducted outside the club guitarist, vocalist (pictured below) Paul Yeardon, in which we talked about touring, the bands reactions to being in New York City for the first time, and of course, our mutual fears of the dentist. I highly recommend checking out the band and learning more about their music.
I first met Al when he was playing bass for New Jersey’s Dog Tired. A punk band heavily influenced by bands such as the Pogues and Still Little Fingers with lyrical muscle that might find itself swimming with more emotive bands such as Dischord Records Rites of Spring and Embrace.
When I moved to Manhattan in 1994, I began to see more and more of Al. I always and still do, consider him a good friend. Enjoying going to see him in a number of bands including The Fury’s (Who eventually changed their name to The Truents.) and (pictured here.) The Deviators. Though I haven’t seen Al in years, I’m sure if we ran int0 one another, we’d be able to pick up just where we left off. If interested, you can find more information about Dog Tired, The Truents and The Deviators on Discogs. I’ll leave a link just below.
Plain and simple, Superchunk changed my life while leading me into an exciting and rewarding musical direction that still inspires me while eating up most of my time and disposable cash. After a few years of worshiping the band and picking up everything I could find from Merge records, I finally got to see the band live at the intimate settings of my favorite music venue, Maxwells. ‘Till this day, 1991’s “No Pocky for Kitty'”and 1993’s “On the Mouth” still get regular spins and remain as two of my desert island discs. If I can recommend anything. It would be to visit Merge records and get to know each and every band and record on the site. Merge Records
Though I was still very much into straightedge and hardcore music during the nineties, I only manged to see New Jersey’s Mouthpiece several times. The most memorable are pictured below at New York City’s Wetlands and the legendary CBGB’s when I tagged along with Wendy Eager of Guillotine to conduct an interview with the band’s singer Tim McMahon. I also did an interview with Tim in Princeton ten plus years later over by the Record Exchange. You can order the band’s discography Here Musically and lyrically, Mouthpiece were heavily influenced by bands like Minor Threat and Youth of Today. Ultimately, carrying the torch into the 90’s and beyond. I also did an interview with Tim in Princeton ten plus years later over by the Record Exchange.
Los Angeles, California’s Sense Field were one of a cluster of bands that brought emotive harmony and melody to 90’s hardcore. I captured this image during a Revelation Records showcase at CBGB’s at the time of their first full length “Killed For Less” which was released by Revelation Records. Sadly, Jon Bunch (pictured here) passed away at the age of forty-five.
Almost twenty five years, I still find myself enjoying 1994’s “Killed for Less” and the 1996 followup “Building”. if you haven’t already, I highly recommend checking them out Revelation Records to find out more about the band and see what release are available.
Though I only saw the band once. Boundbrook, New Jersey’s One Nature left a lasting impression on me. With an incendiary live set, the first double ‘7-inch ep I’d ever seen and a sound that reminded me of the band Ignition as well as the many great Dischord Record acts of the’80’s. Though I never did hear from or see the band live again, I still own that double ‘7-inch and play it regularly. Thanks to an old friend for unintentionally reminding me of all the bands that, while I only had the chance to see once, left a lasting impression that still holds today.