Below are a couple of closeups that focus on the bass and guitar of Holy City Zoo’s AJ Russo and Frank Joseph. HCZ were one of my favorite bands’ that populated the Tiny Giants collective. Having been a part of the collective, myself. I’d go out and see them live, every chance I got.
Over time, I began to include a few pictures of the crowds expressions, participation and overall reaction to particular acts, sets and song. For as long as I’ve attended shows and gone to concerts, every act with little to no exception, had a particular song that the audience knew every word, hook and breakdown. While it was always a great opportunity to capture the moment when a singer reaches his emotional halcyon or time the moment when the guitarist launches in the air. It might also be the perfect opportunity to catch the reaction to the crowd. The images to your right were captured about eight years apart. The above captures the crowd at a Revelation Records showcase at CBGB’s. While the one below shows the emotion of the crowd during a set by the band Thursday at Atlantic City’s House of Blues.
Having gone to so many shows in the ’90s and perhaps not having a way to file all the negatives and prints I had adequately. I would sometimes lose track of what band was featured in some of the images I had. And though I’m convinced the picture posted is of Christie Front Drive frontman Eric Richter. Though I exhausted numerous channels to confirm that, yes, it was indeed the band you mentioned, my inquiries were often answered with, “I don’t know. I never saw them live.” or “I don’t know. We never played a show with them.” Still, I always loved this image and the ones I had taken that day at ABC No Rio. So until someone says otherwise, denies or confirms, I will continue to believe this is none other than Christie Front Drive.
Bivouac were a band from Derby, England who had an excellent album called ‘Tuber’ on Elemental in 1993. On that album was an acoustic jam called ‘Dead End Friend’ which featured a verse “Daren’t go to the dentist…for fear of being (pause) fucked while you’re asleep.” It was a great song and I played the fuck out of it. When the time came for them to tour, they stopped in New York City to play CBGB’s. I was able to set up an interview with which was conducted outside the club guitarist, vocalist (pictured below) Paul Yeardon, in which we talked about touring, the bands reactions to being in New York City for the first time, and of course, our mutual fears of the dentist. I highly recommend checking out the band and learning more about their music.
I fondly remember listening to records while hanging out at my friend Tim’s House. Along with our love for our mutual love for the Descendants, All and others, we both reveled in the joy that was ‘Album Type Thing’ by California’s Big Drill Car. Along with the Doughboys, Big Drill Car was perhaps the two bands I listened at the time. Though I was immediately hooked on songs such as ’16 Lines’, “No Need,’ ‘In Green Fields,’ ‘Diamond Earrings’, and their cover of Cheap Trick’s ‘Surrender.’ In retrospect, I think it took me a while to remember the name Big Drill Car. For reasons unknown to me now, the name just seemed odd and even outlandish. Still, I was so psyched when they came out east and played Maxwells. Though I can’t recall who they played with. I remember the room being packed and the energy from both the band and the crowd being paramount. ‘Til this day, I still listen to the bands’ recorded output and have both compact disc and vinyl versions of everything the band released. Below is a link to Discogs to view all their releases.
I first met Al when he was playing bass for New Jersey’s Dog Tired. A punk band heavily influenced by bands such as the Pogues and Still Little Fingers with lyrical muscle that might find itself swimming with more emotive bands such as Dischord Records Rites of Spring and Embrace.
When I moved to Manhattan in 1994, I began to see more and more of Al. I always and still do, consider him a good friend. Enjoying going to see him in a number of bands including The Fury’s (Who eventually changed their name to The Truents.) and (pictured here.) The Deviators. Though I haven’t seen Al in years, I’m sure if we ran int0 one another, we’d be able to pick up just where we left off. If interested, you can find more information about Dog Tired, The Truents and The Deviators on Discogs. I’ll leave a link just below.
How I wound up in a car headed to Connecticut with a Hare Krisna band is a conversation for another day having forged a friendship with one of the ban’s bass player just days before was enough to secure a seat and a round trip ride with the band Baby Gopal. After a stop at a Brooklyn Krishna temple and dropping by Sri’s in-laws (Ray Cappo’s parents) home, we headed to Connecticut’s Tune Inn, where Baby Gopal and a host of other bands, most notable for me, Samuel were to perform. Below are a couple of images I captured of the group.
The bands ‘Lives of Insects’ ep on Art Monk Construction still sits in my record collection today, receiving regular play. There are a couple of other singles out there, including a split with New York’s Texas is the Reason, also released by Art Monk Construction. Check them out Here
Formed in 1988 and existing until 1998, Yuppicide were the first band I can remember to appeal to both the punks and the hardcore kids. Their music merged punk and hardcore with tongue in cheek lyrics that were humorous, yet intelligent. I still break out my Yuppicide records discs and especially, my copy of ‘Look at all the Children Now…’ compilation more than twenty years after their disbanding and almost thirty years after this ABC- No-Rio picture was taken. I feel very lucky in that I got to see so many amazing band while the collective was still putting shows on in their basement. While there was always a sense of community and intimacy about the Rivington St. space., being in the basement next to all those pipes always felt special to me. If you’d like to find out more about Yuppicide. I suggest you visit their website linked below.
One of the earlier shots taken during my photographic journey. One I look back on with a sense of pride. This one of Jon Procopio playing guitar with Dahlia Seed at what I believe to be Maxwells. Jon, also known as Dapper Jon to some, played guitar with both Dahlia Seed and Dune Buggy. Two bands I loved and still love. Jon is, without a doubt, one of the nicer people I’ve met along the way. Long after the band’s breakup, I’d look forward to seeing him friends BBQ’s, parties and social gatherings. Being that Dahlia Seed were and still are a very special band to me, this will be only one of many posts featuring the band. For now though, I just wanted to give Jon and this image their propers.
The ’90s were often a strange time for New York Hardcore and what was, for the most part, post-core. While bands like Quicksand, Into Another, Burn, and Orange 9mm each thrived to some extent. There were many more that seemed to flicker, yet quickly burn out before making much of a name for themselves. I got to see many of these acts at places like CBGB’s, The Wetlands, Brownies, and The Continental, to name a few. Lady Luck (pictured below) was one of those bands. Featuring a cleaned up looking Roger Miret (Agnostic Front) on bass and his wife Denise on vocals. They recorded a ‘7-inch ep for Mendit in ’97. A split LP in ‘ with another promising band named Fully the same year and a full length ‘Life in Between’ in 2000. I only saw them this one time at what was pretty much a hippie club in the Tribeca area of Manhattan. I remember Denise having a beautiful voice and, if memory serves, they delivered an excellent set, but as someone who was used to seeing Miret work the stage covered in sweat, tattoos, and screaming into the mic with a sense of primal rage. Seeing a subdued version with slicked-back hair and a velour shirt was just a little too surreal for me.