Experimenting with Music Photography

It’s safe to say, my interest in photography was born out of necessity. As a teenager in love with hardcore punk and going to Sunday matinees, I started a fanzine which needed pictures to go with my interviews and show reviews. Admittedly, my pictures were terrible. I really knew nothing about composition or camera settings. When I think about it, I didn’t even own a film SLR until I was twenty four. by then I was more interested in documenting my new surroundings in a neighborhood known as Hell’s Kitchen. While I was still going to shows regularly. and taking much better photos, I eventually got bored, which started my focus on experimentation with light and movement. Ultimately, is was within the shadows, movement and darkness, that I found my love. The more I learned about composition and waiting for the right moment, the more my images stood out. While it wasn’t alway pretty, I felt that I was finally capturing the energy, raw emotion, and elements that capture the essence, and intimacy that smaller venues offer.

Pre-Dawn Outing

As a photographer, and in general, dawn and dusk are my favorite times of the day. My favorite time to breathe what’s left of our fresh air. My favorite time to watch the colors change due to the rising or setting sun. Both are somewhat inconvenient, considering I usually wake up with the sun and enjoy dinner as it develops. However, with today’s rising temperature and a sense of drive. I could leave the apartment, return without waking my better half, and enjoy a moment of complete solitude while capturing a few unguarded moments.

Composition

Below is an image I took outside our condo. As a born and bred New Yorker, I immediately thought of the cities countless bike racks. Having never seen a bike locked to it. I’ll assume it’s a sculpture. With some serious down time, I feel my immediate surroundings are providing little inspiration. With time on my hands and an itch to get out there and shoot. I’ve decided to take some steps to get back to the basics of focusing and composing. Here’s to the weekend.

Using Manual Focus

As time goes by, I find myself trying to wane off all automatic features offered on my camera. Shooting on Manual, AV, or TV has been the most rewarding educational experience I’ve had as a photographer. It’s helped me improve my composition skills while giving me complete control of my creativity. Manual focus, however, seems to have become my Achilles heel, especially, and almost exclusively, when it comes to night and low light settings. My focus here was the far-off Queen Anne Cell Towers, which have been an image I’ve attempted to take for some time now. At the same time, my attempts have rendered results both good and bad. It’s the sharpness of my manual focus that always seems to be the judge.
Looking at the shot below and being reminded that it was taken without the balance of my tripod makes me appreciate my growing sense of patience. I wholeheartedly recommend learning all the options your camera offers. Using those tools and getting off manual modes with not only help you grow as a photographer. It will also help you create your unique vision.

Capturing your vision

I have a habit of overthinking. When I get something in my head or get passionate for something, I go all in. Being that I’ve suddenly decided I wanted to get back to taking pictures, (Not that I ever really stopped.) I’ve been spending a lot of time watching videos about composition, lighting and long exposures. So, as I lay in bed last night, I began to think of that box of matches we have. The ones we use to light candles when our farts are particularly foul. There I was, unable to sleep because I couldn’t stop thinking about how I wanted to capture those matches. So, after I got up this morning, showered and enjoyed my first cup of coffee, I got to work. After a few, less than satisfactory attempts, I finally captured the matches as I had imagined as I lie awake the night before.

Matches (1 of 1)