I’ve been moaning and groaning over accidentally deleting the original image I took (just below.)) with my iphone when we first moved to Columbia City in Seattle.
So this Sunday after washing the car and stopping at a local Buddhist temple. We returned to Billiard Hoang to try to recapture the lost image in order to finally capture another unguarded moment. One the might finally bring some peace to my troubled mind while ordering a couple of the best bahn mi this side of the planet. Not wanting to be intrusive or step on anyone’s feet. I found a similar spot to rest my camera and made sure to remove the flash. Though the results were pretty good. (No complaints on my part.) I really wish I had a larger file size of the original image in order to print one of those gigantic metal prints. And while the new ones I took todqy are okay. I feel it might take a few more visits before I capture something worthy of printing.
I’ve been planning a trip back to Vashon with my wife all week, The chance to take the ferry and making a micro visit to a not so far away destination appealed to both of us on different levels. On our first trip, we enjoyed some very good baked goods at Snapdragon Bakery and Cafe. A basket of awfully greasy and stomach turning fried food at Zombies and a relaxing finale at The Vashon Island Coffee Rotisserie. This time around. We swore off the deep fried temptations and gave Snapdragon’s breakfast menu and dining a try. Turns out that was another bad decision on our part. As it took them over an hour to make us a couple of plates of eggs. Considering we had to bus and clean our own table, beg on all fours for refills on our coffee and ask for a refund on the order we placed more than an hour before. It’s safe to say. We won’t be going back. And while I won’t ignore the draw to visit the Island again. We will surely do so on full stomachs. Posted are images I took from the ferry. The first was taken around 11;00 am during some hard light. The second, around 4:00pm, just prior to our trip back.
Here I’ve posted two images I took of Capital Hill’s Rite Aide. Located on the corner of Broadway and Denny. The pharmacy looks more like an old theater than a one stop drug store. I took the first image on monochrome mode with my 40mm pancake lens and the second, in color, with my 15mm fish eye. (A lens i use almost exclusively for concert photography.) I really love how the edges bend the closer you get to the subject. In comparison.,the monochrome image stands out for me due to the antiquated feel monochrome provides. I can’t help but feel as if I’ve been transplanted to another time. On the other hand, the fisheye lens offers a trippy vibe that makes me feel as if I’m swimming in the pages of Hunter S. Thompson’s Fear and Loathing in Las Vegas.
When I posted a shot of Friday’s session on Facebook over the weekend. It definitely turned a few heads. The attention was both positive and appreciated. It wasn’t until this morning that I was questioned about my decision to edit it. While I liked the original. I thought a ounce of editing would do it some good. Then came the critique about consistency and how, if something ain’t broke. Don’t go trying to fix it. It seemed harsh at the time, but when explained, it made a lot of sense. I had the perfect light and settings from start to finish. There was no explainable reason for the change, other than change. To close, I’m learning a lot and it’s not always easy getting over old habits. Learning that a critique is aimed to both help and improve one’s work. How, listening is often better than talking. Below Left is the original file. On the right, my retouch.
In a recent conversation with friend, fellow photographer and mentor Kevin. I was questioned about my use of watermarks. I explained that I had so many of my music related photos used without permission, notice or credit over the years and how using a watermark gave me a sense of assurance that such branding would cut down on, if not eliminate the practice of taking without asking. As ridiculous as it might seem, it pisses me off when I have to ask for a photo credit after it’s already been used without notification. In the days of film, this never seemed to be an issue, due to the fact that you, the photographer, owned the negative. In a time of social media’s immediacy and a digital age where a file / image replaces the negative. Problems certainly have more of a chance to arise.
Still, his question and critique really made me think. Is it really worth it? Does it reduce the emotion or intended message within the image. If so, does that tiny assurance relieve any of the anxiety or paranoia of having one of your shots appear uncredited on someone’s band page? Probably not. But still, it’s an idea I’m still not ready to completely embrace. So, what do you think? Bands, Photographers? I’d love to hear from you.
Over the weekend I had a musician friend over for some promotional shots. During those two or so hours we tried several looks while playing around with different lighting setups. Later that night as I began going through our session. I began to compare color shots with B&W copies I had made. To no surprise, I found myself preferring the B&W versions over and over. Knowing how predominant my love of B&W can be. I thought it would a good idea to get some opinions on the matter. Comments welcome.