I’m lucky enough to have a Mom and a Dad who are both healthy and alive. And while I seldom give my Mother a break about her considerably bad taste in music. Both have played a major part in influencing and supporting my never ending obsession for so long. While I’ve learned to avoid conversations about religion, politics or any sociological topics. A good bull session about music is a great way to pass the time while helping to avoid any bloodletting during any visit or phone call. Though his love of the blues and New Orleans jazz can never be questioned. A conversation regarding Tom Waits, Frank Zappa or the Night Tripper, Dr. John (Gris-Gris) can go on for days. Some of my earliest memories revolve around sitting among my parents combined record collections. Strange how it remains one of the very few memories of my parents being together. Sitting within a pile of my parents record collection. No more than four, maybe five years old. Completely freaked out by the cover art of records like Leon Russell’s “Stop All That Jazz” Frank Zappa’s “200 Motels” or Pink Floyd’s “Wish You Were Here”. Album covers that told stories I might not be quite ready to read. One’s that might have me checking the closet or under the bed that night. A few years later, as my ear for music began to form. My Dad would sit me down and play Jimi Hendrix, Eric Clapton’s Blues Breakers, and for me, the most painful torture a nine year old can suffer, Frank Zappa’s 79′ release “Joe’s Garage.” Years later though, many of the records and artists my parents introduced me to reside in my own record collection. Artists such as Frank Zappa, Hendrix and especially Tom Waits get countless play on the turntable and all my other modes of music enjoyment. I pick up just about every Leon Russell and Frank Zappa I see and being drawn to record based on it’s cover art remains crucial to many of my crate digging adventures. Still, I can recall sitting in my pajamas among those piles of records, How each cover either told a story or inspired me to create one,
Back in May I purchased the Canon 15mm wide angle lens from B&H with the explicit intent to incorporate it into my concert photography. I opened the box and attached the lens to my Canon 7D with the same child like enthusiasm and glee a kid who’s just come downstairs to see all of his gifts spread in piles under the tree gets. I searched every nook and cranny of the apartment in search for that perfect exaggerated view point. I took a handful of shots, one of which was the newish piece of furniture I had gotten from Ikea. At the time I had just started collecting/purchasing records again. It had been ten years since I sold all of my vinyl and cassettes on Ebay to help pay for a trip to Japan. At the time, I can honestly say it was worth it. However, as the years passed I realized I had put a monetary value on something that was very valuable to me emotionally. So in May of 2011 with a living room and a second bedroom filled with CD’s I embarked on rebuilding my vinyl collection.
It started innocently enough with a 7 inch here and a garage sale LP there. But has suddenly turned into an animal all it’s own. Now, I’m not complaining. No, not in the least. I really cherish crate digging and hitting my favorite vinyl spots with friends. I’m not worried about space either. I’ve got plenty of cubicles to fill thanks to Ikea. I am however amazed at just how much I’ve amassed in a matter of six or seven months. I started this blog in part to chronicle my history and progress as a photographer and of course an individual. Though this might not exactly be considered progress, it sure as hell can be referred to as growth.
I was on the way to Beacon New York when my phone lit up with a text reading “Citizens Arrest tickets are almost Sold Out. Get ’em fast or miss out!” I thought “Oh, I’ll order them as soon as I get home tonight.” As soon as I walked in the door I walked over to the computer to place my order. This was something I would not procrastinate on. To my dismay and dispare they were “Sold the fuck Out.” Damn, I was pissed. I’d been hearing about this reunion long before it was even book and it was not to be missed. I posted a “If anyone out there……” and thanks to Freddy Alva and the band I was covered.
About ten of us (including Freddy New Breed, Charles from Rorschach and Amy Edge) me up for a pre-show dinner before heading over to Brooklyn’s Knitting Factory. I think I missed a couple of bands, including Mind Eraser but was lucky enough to catch Asshole Parade. I’d never heard them prior to the show but really liked their sound and overall vibe. Citizens Arrest followed and the place went ape shit. Between the moshing and the stage divers I wasn’t sure I’d make it out alive. I was front center and between being thrown into the stage and about five different stage divers delivers blows to my head with boots and body fat I was dazed and at one point almost went down. All of it was totally worth because CXA kicked some serious ass. The original lineup was all there including Janis Cackers and Ted Leo. Playing so many favorites from their good old days and even throwing in covers from SSD and Youth of Today. After the set Daryl Kahan pulled my lifeless body up on stage to take a picture of the band and Fab Five Freddy Alva. It was so good seeing so many familiar faces including Rich Trash, Justine Demetrik, Javier and so many others. Thanks to Janis for the ticket and to everyone that made it such an amazing night.