I’m lucky enough to have a Mom and a Dad who are both healthy and alive. And while I seldom give my Mother a break about her considerably bad taste in music. Both have played a major part in influencing and supporting my never ending obsession for so long. While I’ve learned to avoid conversations about religion, politics or any sociological topics. A good bull session about music is a great way to pass the time while helping to avoid any bloodletting during any visit or phone call. Though his love of the blues and New Orleans jazz can never be questioned. A conversation regarding Tom Waits, Frank Zappa or the Night Tripper, Dr. John (Gris-Gris) can go on for days. Some of my earliest memories revolve around sitting among my parents combined record collections. Strange how it remains one of the very few memories of my parents being together. Sitting within a pile of my parents record collection. 
No more than four, maybe five years old. Completely freaked out by the cover art of records like Leon Russell’s “Stop All That Jazz” Frank Zappa’s “200 Motels” or Pink Floyd’s “Wish You Were Here”. Album covers that told stories I might not be quite ready to read. One’s that might have me checking the closet or under the bed that night. A few years later, as my ear for music began to form. My Dad would sit me down and play Jimi Hendrix, Eric Clapton’s Blues Breakers, and for me, the most painful torture a nine year old can suffer, Frank Zappa’s 79′ release “Joe’s Garage.” Years later though, many of the records and artists my parents introduced me to reside in my own record collection. Artists such as Frank Zappa, Hendrix and especially Tom Waits get countless play on the turntable and all my other modes of music enjoyment. I pick up just about every Leon Russell and Frank Zappa I see and being drawn to record based on it’s cover art remains crucial to many of my crate digging adventures. Still, I can recall sitting in my pajamas among those piles of records, How each cover either told a story or inspired me to create one,
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