So, here I am, listening to the criminally under-acknowledged album “Broken Hearts Are Blue.” by Minneapolis indie rock standout The Truth About Love and mulling through images I might have overlooked. Perhaps something that just needs a crop or touch-up to give it new life. Funny how I can easily recall a photo shoot and whatever chemistry or connection that was made over that thirty or so minutes we shared, while allowing countless images to go unexplored. This one image of a badass musician / artist I met on the lower east side of Manhattan jumped out at me while appeaing to my recent obsession with edgy punk rock captures. It also draws me to the core of a style in which I’d love to photograph going forward. Please, share your thoughts. If you think this image and it’s dramatic style suck. Let me know. I get so little feedback on this blog. Let me know you’re thoughts on the matter.






Plain and simple, Superchunk changed my life while leading me into an exciting and rewarding musical direction that still inspires me while eating up most of my time and disposable cash. After a few years of worshiping the band and picking up everything I could find from Merge records, I finally got to see the band live at the intimate settings of my favorite music venue, Maxwells. ‘Till this day, 1991’s “No Pocky for Kitty'”and 1993’s “On the Mouth” still get regular spins and remain as two of my desert island discs. If I can recommend anything. It would be to visit Merge records and get to know each and every band and record on the site.
One of the earlier shots taken during my photographic journey. One I look back on with a sense of pride. This one of Jon Procopio playing guitar with Dahlia Seed at what I believe to be Maxwells. Jon, also known as Dapper Jon to some, played guitar with both Dahlia Seed and Dune Buggy. Two bands I loved and still love. Jon is, without a doubt, one of the nicer people I’ve met along the way. Long after the band’s breakup, I’d look forward to seeing him friends BBQ’s, parties and social gatherings. Being that Dahlia Seed were and still are a very special band to me, this will be only one of many posts featuring the band. For now though, I just wanted to give Jon and this image their propers.
there were some really amazing bands on this bill. At the time, the band had a split ‘7 inch with Staten Island’s Malcom’s Lost (also on the bill) and were just about to release ‘Variable Speed Drive’ on Doghouse records. An eight song powerhouse that I would come to know the band best for. When I think of all the now highly regarded bands I saw in basements, cavernous clubs and VFW halls, it gives me somewhat of a rush. Almost as if I was on to something long before all the squares got a hold of it.