Catching Up with a Dear Friend

When my long time friend and favorite expatriate messaged me that she would be returning to New Jersey for a short, yet important visit. I knew the odds of me seeing her this time around, let alone catching up on her three years in Germany were about as good as the Cleveland Indians winning the World Series. Still, any chance to see such an old and dear friend was worth taking. Imagine my surprise when she was both available and looking forward to indulging me in one of my truest passions, studio photography. The hours we spent together were more of a gab session with me sneaking in a shot or two whenever I could.

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Having met Mandy in the parking lot of a strip mall adjacent to my high school when I was sixteen. The likelihood of us ever becoming friends seemed improbable to say the very least. Yet, despite being polar opposites we became trusted, close friends before long. Supporting one another through sickness and health.Through the good times and bad. She’s been a huge supporter and influence on me as a photographer and as a volunteer to worthy causes. She’s one of the few people in my life who crosses the lines between friends and family. One’s that, no matter the distance or time. Remain, unspoken, an integral part of my life. And as my Mother put it “Damn, that woman does not age.” Looking at this picture. I think it highlights both her beauty and unwaning strength. I’m incredibly grateful for having the chance to catch up with her. One of Jersey’s best, no matter where she goes.

 

Back to Basics

While my prior studio session helped me get on solid ground as far as my studio lighting was concerned. This weekends session with Audrey allowed me to take things a bit further. During my previous session I took full advantage of lighting the background from behind with a soft box  while lifting the shadows  at 45′ degrees with my new Photoflex 72′ SRP umbrella. This time around, I added a beauty dish that really highlighted the models skin and features while adding depth to the images overall quality. Moving the lights around and playing with photography’s rule of thirds More on that Here Most important was Audrey’s presence.  With a sense of grace and an intuitive nature to know what I’m about to say before I utter a single word. She has made our annual studio sessions an opportunity to grow and learn while having an absolute blast. As the years comes to a close. I’m beginning to see where the next year might take me creatively. From here, the view looks pretty damn good.
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Beauty and the Dish

Iya-7695Iya II-7734We were about a half an hour into shooting and I wasn’t really happy with the results I was getting from my strip box. We took a short break as I fished for one of my umbrellas to replace it with.  After a somewhat thorough search, I couldn’t for the life of me, remember where I had stashed it. I looked up and there was the beauty dish that had been sitting on my Ikea Expedit unused for months. Hastily,  I grabbed it and with the help of Iya, changed the light.

As I took the first few images with the Beauty Dish I immediately noticed the warm glow and how her smooth, young skin shined.     I fluctuated from using the Dish as the the main and only light to using the soft box as a fill light and adjusting the amount of light coming from soft box. The results were instant.  It was only the second time I’ve used the Beauty Dish since purchasing it back in December. I felt really comfortable using it at different distances and degrees of power. Having a patient model allowed me the time to adjust and play a bit. I was so inspired by some of the images captured that I did something I haven’t done in almost ayear. I got prints made. In talking to a seasoned pro at Duggal.  He gave me some useful tips to get even better results in the future. I can’t wait for the opportunity to put them into play. Until then…

Re-learning to Light

StephDuring a winter workshop      I attended in 2012.         The instructor pointed out that my studio work was flat. It was an observation that, at the time, I really did not understand what she meant but took it as a negative critique of my work. A few moments later I was asked about the editing software I used. When I replied “Aperture” a gasp of shock and shame seemed to fill the room. Looking back, it was it if I was cast aside, exiled and destined to wear carry the Scarlet “A” (A for Aperture) around with me for life. Later that day a fellow attendee took me aside and suggested I move up to Lightroom 4. He used some easy to understand comparisons for me to understand. “It’s like going from Atari to Xbox. He also took the time to explain lighting techniques a little deeper. Though I was a bit embarrassed by my shortcomings at the time. I was more grateful for the knowledge and learning experience.

Steph IIAlmost as soon as the workshop let out the day.     I was off to purchase Lightroom 4 and book a few sessions in order to test my new knowledge out. I could immediately see the difference in the images I was editing in Lightroom 4, especially by making minor adjustments with the black and white levels. (not available with Aperture) Simple tweeks that made a world of difference in the images I had taken. Minor adjustments in highlights can also be noted. I could already see the depth to my older work. When my model stopped by I changed the lighting angles and worked with less light. Something that also added depth and character. I really got to understand what she meant about flat images and flat lighting.     I was no longer flooding the room with light. I was using it to to highlight areas, not overwhelm them. Since learning this, I’m really seeing the light, shadows and detail of the image before I even take it. It’s given me more confidence. I find myself working faster and taking fewer wasted shots. It’s been a real revelation to me. One that I know will help me continue to enhance my skill and build on what I’ve already learned. Like Yoda said “In a dark place we find ourselves, and a little more knowledge lights our way.”

Time to Reflect

I’ve been having a real hard time finding the right words to describe my recent shoot with Roksolana. Sometimes it just takes time to properly let an experience run it’s course of emotions in order to write about it from an observers point of view than an actual participant. Roksolana IIIThis became evident to me when talking to a model I worked with the other day. I’ve worked with this particular woman for years and over that time, developed a close bond and trust. We’ve always shared stories and not only is she supportive of my wiring. She’s downright forceful in that she feels my stories are worth putting to paper. This Friday afternoon, as she unpacked her chosen outfits for that days session, the conversation quickly turned to just that. It was then that I realized why I do and do not write about certain subjects and certain experiences in my life. It was then when I understood why I was having such a hard time writing about this particular shoot with this beautiful and very sweet woman. Roksolana IIIt all came down to separation and the time it takes to remove yourself and a certain emotional element from the story. At the time of the shoot I was overwhelmed by Roksolana’s energy, her thwarting of everything I had planned and inability to focus on anything for more than a few seconds. That could all be easily overlooked if not for the pure fact that she turned my organized and uncluttered studio space and turned into a combat zone. Even going as far as moving my couch and taking the shirts I had picked out for her to model and spreading them across my couch insisting “See, it feels like a college dorm.”

RoksolanaYet, with all the madness, lack of direction and complete exhaustion those few hours created. I still had a beautiful woman in my studio. One who is inspiring in all that she’s already experienced in her short life. I was doing one of the things I love most in life and I was in the midst of a ‘real story’. I controlled my anger and emotions throughout and stayed focused. An hour or so later, my heart rate was normal and I was sharing dinner with my lovely wife.    I was not only alive, I was living.

Two Friends, A Camera and A Bottle of Wine.

RuthieI really wish more of my little studio sessions were as laid back and effortless as my day with Ruthie. Though this was essentially two friends getting together and just chilling out on a less than busy day. It allowed me some time to play around with my lights and take my camera for a walk. Ruthie Relax ColorAs the day quickly passed, we shared stories, listened to music, drank wine and smoked cigars. There came a point where she looked so relaxed and comfortable. A blissful moment that was shortly interrupted when she raised her head and told me how much she hated having her picture taken. It was a strange moment, considering how incredibly relaxed and natural she looked. Ruthie Relax Color II      The simple truth of the matter is she trusted me. She felt comfortable enough around me to allow herself to relax and feel beautiful. I was pretty humbled, to say the very least. You know, I’ve always loved taking more personal pictures of friends I’ve made along the way. Making new friends through the pictures I’ve taken seems even more important.

Sunday Session with Denise

Mercedes LoveSlowly but surely I’ve been getting back to the studio, trying new things and experimenting with different lighting techniques. At the same time, I’ve been trying to cut down on shooting time and concentrate on producing better images. This past Sunday I tried some new things while working with a new model. During what seemed like a very short session we tried different lighting angles and took advantage of my rather nice wood floors and her very sexy boot. Denise was very versatile, laid back and fun. We laughed, shared stories and listened to the likes of Radiohead and Quicksand. Before our session was over, we were already talking about working together again in the near future. Not bad for a couple of people who had met just minutes before.

The Art of Fashion Portraiture

In my September 20th post “Just when I thought we were done” I wrote about my trip to ICP. (International Center for Photography) I mused about my portfolio review and signing up for the “Art of Fashion Portraiture” workshop. This past weekend I embarked on a two weekend intensive workshop that has been both an education and an emotional roller coaster.

On our first day myself and four other photographers (I actually expected there to somewhere between twenty to twenty-five.) gathered at a tremendously spacious Photo Studio and spent the day learning the ins and outs of the fashion industry from models, stylists and world famous fashion photographers who’s names I will stop short of mentioning.

It was a learning experience to say the very least. During the first eight hour day I absorbed more than I ever thought my puny brain could take on and changed my mind numerous times about attempting to enter and extremely competitive and tough aspect of photography. During the day we each had a chance to work with a model. Each given a matter of minutes to work our magic. Although I was nervous and had some performance anxiety due to working with close two ten photographers, make up artists and stylists just a few feet away. I had an amazing model to work with. She was sweet, soft spoken and completely understood what I was trying to convey. More on the workshop later.
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Just When I Thought We Were Done.

Early this Tuesday night I braved the hurricane winds and torrential rains to attend the International Center For Photography’s Open House to look into some classes and have my portfolio reviewed. As I sat nervously with the soft spoken elderly gentleman, he critiqued my work. Noting that my lighting was impressive and that certain areas could use improvement. He suggested some techniques and approved me for some classes.

As I stood up to leave I thanked him, shook his hand and handed him one  my business cards. That’s when things got really interesting, animated and a hell of a lot more exciting. The soft spoken gentlemen I had been conversing with for the last thirty minutes arched his back and exhaled “What is this here?” as he pulled his glasses forward for closer investigation. In a cool voice often reserved for Jazz cools you see in old movies, he remarked “Now this is what your portfolio should be based around.” “This is what I like to see.” I had gone to such lengths and examination of fashion and glamour to create a portfolio I felt best represented fashion and what I was seeing in magazines. I may have gotten away from making a portfolio that best represents me as a photographer.

Though I was already more than happy with his critique of my portfolio. (Yes, I was actually very happy to have a professional critique my work and perhaps, take me down a few notches.) But if I would compare the differences in his reaction with a music reference. It was like going from listening to Miles Davis recording to getting a chance to sit in on one of his recording sessions. I showed him my other business cards, all of which have different images and he picked out what he strongly felt were the best. Then he took the paper that included the class level he pre-approved me for crossed it out to qualify me for more advanced courses. From there I went to the office and registered for “The Art of Fashion Portraiture” which is a hands on course starting in December. I’m really looking forward to the class and getting my work out there again.

Launching a New Website with Wix

After a few weeks of choosing images and playing around with different looks and styles. I’ve published a new site that is both professional and at least for now, minimalist. I’ll be adding new and varied work in the near future. For now, it just needs a visit from you.

Come stop by and say hello.

James

http://damionphoto.wix.com/jamesdamionphoto