We were about a half an hour into shooting and I wasn’t really happy with the results I was getting from my strip box. We took a short break as I fished for one of my umbrellas to replace it with. After a somewhat thorough search, I couldn’t for the life of me, remember where I had stashed it. I looked up and there was the beauty dish that had been sitting on my Ikea Expedit unused for months. Hastily, I grabbed it and with the help of Iya, changed the light.
As I took the first few images with the Beauty Dish I immediately noticed the warm glow and how her smooth, young skin shined. I fluctuated from using the Dish as the the main and only light to using the soft box as a fill light and adjusting the amount of light coming from soft box. The results were instant. It was only the second time I’ve used the Beauty Dish since purchasing it back in December. I felt really comfortable using it at different distances and degrees of power. Having a patient model allowed me the time to adjust and play a bit. I was so inspired by some of the images captured that I did something I haven’t done in almost ayear. I got prints made. In talking to a seasoned pro at Duggal. He gave me some useful tips to get even better results in the future. I can’t wait for the opportunity to put them into play. Until then…
Wednesday afternoon I headed to Calumet over on 22nd Street to pick up a few extras for the studio. I’ve been looking into getting a new muslin ever since my cat threw up on the rather large white one I had for so long. Although I’ve been using seemless for the most part. I like to mix it up from time to time. Seemless backgrounds are great but getting a couple of nine footers on the train back to Hoboken can be a bit of a haul. I picked up a nice black one that just happened to be on sale. I like the fact that I can take them down easily, roll them in a ball and toss them in the washer when needed. Once I started to use the black consistently in my shoots I didn’t want to shoot any other color again. The black adds a certain drama to B&W photos while adding pop to color. How can you go wrong. I learned early about placing the lights and the model a bit further from it to avoid weird circles and flare ups in the background. Once I got past that it was all gravy. Here’s a picture I took with my new copy of the New Breed compilation. The Wild Style version is a limited pressing of 200 and I was lucky and grateful to get 1/200. The compilation was originally released as a tape comp. in 1989. It featured the absolute best NYHC bands of the time. It’s just be reissued for the first time on vinyl through Freddy Alva’s Wardance Records.