A long time ago in a studio far away. A photographer friend and mentor asked the question. “What did a shadow ever do to you?” At the time, I had worked for several retail studios and was hoping to take my studio experience, and knowledge of lighting to a new level. Terrified of making mistakes. After starting out on my own. My lighting setups were basic and lacked any depth. However, through working with this gentleman, I learned that mistakes were essential in learning and experimentation was key to becoming an artist. That question opened a lot of doors for me. Not only did it help me erase my fears. But it changed my studio work forever. The shadows, the contrat, the highlights and the ability to adjust and properly see the light. Game changers that gave my photos new life and depth. Once you ask yourself, “What did a shadow ever do to you?”
Category: Studio Lighting
Keep it or Let Go.
As a photographer who has a hard time letting go. Often thinking, once the image is deleted, so goes the memory. I can assure you, that train of thought might score you an appearance on the show “Hoarders”, if not in a chair with a licensed psychotherapist. Therefore, I highly recommend that you regularly revisit and delete photos that no longer feed your art. Trust me. Your closet and computers hard-drive will thank you.
As someone who’s been a slave to that before mentioned belief, I’m incredibly grateful for both the space I’ve created and the emotional freedom of not holding too tightly to the past. When I think of my earlier days of getting peple to show up at my tiny home studio in Hoboken.
Looking back, I can’t help but recall Roksolana. Her energy and personality were and are unmatched. She was always two steps ahead of me while often sharing her own ideas. And rather hard to keep up with. In the end, she helped to teach me about patience and expression through her beauty and personality.
Taking Musicians Out of their Element.
For thirty years, I brought my camera to every show I attended, from the bars, basements, and cavernous venues of NYC and beyond to the clubs and concert halls that required a negotiated photo pass. My camera was my excuse to get close and stay close. When all was said and done, I always envied the photographers who got closer by photographing their heroes in a more intimate setting like their photo studio or somewhere on location. Those were the shots I worshipped and hung in my own home.









Photographing People
After gaining some lost sense of balance. I’ve decided that I want to start photographing people again. Not that I’m nessecarily interested in models, actors or musicians. Just the exercise of a good portrait. One that tells a story of delves deep into a persons personal story and personality. I miss that. I miss that sense of capturing a moment or a mood. In recent years I’ve gone from an extrovert to a wallflower, and I’m not sure I like it. So here goes. Maybe this week I’ll strike up a conversation with a stranger and propose a session. I used to be quite good at talking to strangers. Maybe I can still pull it off. If I do. You’ll be the first to know. Here’s to following your heart.
When in Doubt… Part II
Following up on last night’s post “When in Doubt…” I’m coming to the realization that my days as a studio photographer might be over. Being that I spent more than four hours going through old sessions and even considering reacquiring studio lights. I whole heartedly admit to missing experimenting with studio lights, settings, modes and above all, interpreting beauty. Looking back, the road was full of mistakes, anxiety, impatience and an overabundance of caffeine. Still, when I was clicking with a subject, it was magic. Going forward, mainly due to my issues with balance and speech, I will have to find peace and balance. In the end, I hope to learn more about landscape photography and long exposure. Enough so, that I can prove myself to me.

United By… (Family)
Though we lived just blocks away within the same neighborhood, I never did see or hear much from my grandma Sherry. Though it might seem strange to some, it never really phased me or made me feel incomplete in any way. My Dad’s mom and my grandmother were also close by, and the loving attention she gave me was more than anyone would ever need. What I did learn about my mother’s side of the family, most of whom I never met, came in small samplings over the years. Grandma Sherry, who I would get to know a little better in my mid-twenties, was an aspiring musician who recorded and toured with her country act the Melody Maids in the late thirties until the early forties. She also had a radio show in Milwaukee during that time. Though still alive at the ripe old age of ninety-five. She left me with what would best connect us, Her 1939 C-Series Martin Guitar, case, harmonica, and tuner. What amazed most was the pristine condition with which it was kept. In the years I possessed it, I was able to photograph it along with some of the models I worked with as well as have a few musician friends take it for a test drive. Special thanks to my friend Tory for teaching me how to keep it hydrated. Eventually, as planned, I sold the guitar to someone who would appreciate it as both a piece of work and a historical artifact.
Key Ingredients
I recently had the opportunity to work with three incredibly talented and gifted professionals (Two of which live on just down the hall of my condo.) With the help of model / actress Nicole M. Carroll Word Press, makeup artist Stephanie Perez Website and studio manager / technician Kevin Link Website . I (Or should I say, we.) captured some amazing shots. Having worked together with Nicole in 2016. Her amazing personality and stunning features helped me mark a turning point in my studio work. Inviting her back with fresh ideas and an amazing team was even more rewarding than our first meeting. I just thought it might be a good time to thank everyone involved while I share the fruits of our labor..
Second Time Around
Less than midway through our first session. Angel leaned in and asked “Do you like working with me?” “Of course I do” I quickly replied. Truth be told. Working with her had been the most stress free session I had worked on in recent memory. Secretly, I was glowing inside. Knowing we had laid the foundation for future collaborations. So when the need to work on something new presented itself just months later. I knew I had an ace in my deck with Angel. It’s quite rare when I am so eager to work with someone again so quickly. However, the chemistry and the results of our first session created the desire to work on new ideas and themes together. We’ve already set up a third and final shoot that I’m hoping will give us something useful for both of our portfolios.



Adventures in Lighting
While many portfolio sessions require weeks of planning and idea sharing. Others can be brokered with minimal planning and just a few key exchanges. Such was the case with Lauren. New images to show off a new look and style that adds an artsy edge to an already fetching body of work. During the two hours we worked together. My goal of recreating a look that was based on my love of black and white Hollywood Film Noir. By moving the main light around I was able to create the shadow and depth that once went missing in my studio work. With little to no instruction, I followed Lauren’s movement and changes to capture a number of looks and moods. In the end, the results had me recalling what drew me to my earliest experiemnts with photography and black & white film. Below are a very small sampling of what we captured.

Ending the Year on a Positive
Below are a couple of favorites from my final studio session of 2016. My two hour shoot with Angel was without a doubt, my favorite of the year. While Angel may be somewhat new to modeling, her beauty, grace and ability to change gears effortlessly should go a long way to insure her success. A second shoot is already in the works. One that we are both eager to bring to fruition. Stay tuned.










