A Photo Geeks ups and downs through words and images.
After months of toiling and tweaking I’ve launched a new WIX site that focuses on my music photography. It features live and studio work with numerous bands and musicians. Be sure to stop by and visit. Thanks
http://unitedbyjames.wix.com/damionphotomusic#!home/mainPage
Early this Tuesday night I braved the hurricane winds and torrential rains to attend the International Center For Photography’s Open House to look into some classes and have my portfolio reviewed. As I sat nervously with the soft spoken elderly gentleman, he critiqued my work. Noting that my lighting was impressive and that certain areas could use improvement. He suggested some techniques and approved me for some classes.
As I stood up to leave I thanked him, shook his hand and handed him one my business cards. That’s when things got really interesting, animated and a hell of a lot more exciting. The soft spoken gentlemen I had been conversing with for the last thirty minutes arched his back and exhaled “What is this here?” as he pulled his glasses forward for closer investigation. In a cool voice often reserved for Jazz cools you see in old movies, he remarked “Now this is what your portfolio should be based around.” “This is what I like to see.” I had gone to such lengths and examination of fashion and glamour to create a portfolio I felt best represented fashion and what I was seeing in magazines. I may have gotten away from making a portfolio that best represents me as a photographer.
Though I was already more than happy with his critique of my portfolio. (Yes, I was actually very happy to have a professional critique my work and perhaps, take me down a few notches.) But if I would compare the differences in his reaction with a music reference. It was like going from listening to Miles Davis recording to getting a chance to sit in on one of his recording sessions. I showed him my other business cards, all of which have different images and he picked out what he strongly felt were the best. Then he took the paper that included the class level he pre-approved me for crossed it out to qualify me for more advanced courses. From there I went to the office and registered for “The Art of Fashion Portraiture” which is a hands on course starting in December. I’m really looking forward to the class and getting my work out there again.
After a few weeks of choosing images and playing around with different looks and styles. I’ve published a new site that is both professional and at least for now, minimalist. I’ll be adding new and varied work in the near future. For now, it just needs a visit from you.
Come stop by and say hello.
James
http://damionphoto.wix.com/jamesdamionphoto
I was talking to my Mother tonight on the phone when the subject quickly turned to my recent work and more specifically, studio work. I mentioned the evolution of my style and approach. As a kid I was surrounded by art in general. My Mother was an office secretary at a well known NYC advertising firm. From an early age I’d take the bus or train in from Queens and meet up with my Mom at the office. I’d spend most of my time in the art rooms where art work, advertisements and movie posters were being made right before my eyes.
I met a lot of really amazing and creative people who would later have a major effect on my life and the direction I decided to go in. At home we scraped by but my Mother always made it feel like a home. There was art everywhere. Vargas posters and Marilyn Monroe prints throughout the two bedroom apartment and classic nudes in the bathroom. There was also a collection of art and photography books always within reach under the near by coffee table. To put it mildly, my Mother has so much to do with the person I am today. The way I think. The way I work and my crazy, unfiltered personality.
Lately I’ve been reminded more and more of those days and in particular the Art books that first captured my attention and imagination. As I was photographing my most recent inspiration the other day I noticed a few images that immediately brought me back to the beauty and overall simplicity of those images that first inspired this eight year old. Mixing those classic elements with somewhat of a modern touch excites me to no end. Finding people that inspire me to do this is essential.
Yesterday Jessica stopped by to shoot some edgy fitness and martial arts inspired images. Jessica is an absolute joy to work with. An actress, stunt woman and martial arts expert, she packs a lot of strength and character into her small frame. In the weeks leading up to the shoot I was hoping to include some of my friends custom combat knives into the shoot to add another level of intensity to the shoot. Unfortunately for us he was backed up on orders and had no back stock to send us. Lucky for me, Jess brought enough weaponry to scare the bajeezus out of me. During the session Jessica updated me with what she’s been up to since we last worked together and introduced me to the art of Monkey Kung Fu. Here are some favorites from that part of the session.In the future I’d like to add more fitness work to my portfolio while continuing to expand my body of work. Only time will tell.
I’d been wanting to get some of my musician and artist friends to stop by for some laid back studio shots for some time. When I ran into Eric recently at a friends exhibition opening I thought, “now that’s a fucking character I’d love to photograph.” So a few days later I dropped him a line and asked if he’d to stop by and shoot the shit while I cleaned the dust off my studio lights and gear. We talked about music, old friends and our Dad’s. Eric’s a good friend. The kind that would give you the shirt off his back. Upon returning from living in Seatle he gave me a HardCore record I had regrettably sold years ago. Knowing the personal and sentimental value the record held for me. He saw it only fitting that I should have a copy back in my prized collection. As the years go by you don’t see many of your old friends as much as you’d like. Jobs, family, distance and all the responsibilities that life throw at us play their part. Some stay close while others fade from the fabric of your life. It’s always good to have a few of the old guard around when you need someone to relate to or just share a common experience.
Ruth and I have been cyber friends for years. We originally bonded during the My Space’s salad days in a Photography Chat Room. We both loved art and often talked about organizing a photography exhibition at some point. Since then we’ve kept in touch sporadically but never made the leap towards a face to face collaboration. That is until a few weeks ago. We started chatting again on Facebook and she mistakenly said, “We’ve been friends for such a long time.” I quickly jumped on the opportunity and returned with “No, we haven’t. But once we actually get together, we will be. I invited her to the studio and lucky for me, she said “Yes”. The day of meeting she brought her childhood friend and business partner Mayra and although it was short. We managed to have a great time cementing our long standing friendship.
Ruth and Mayra are both beautiful women in the traditional sense. There was a certain class and dignity about them that really impressed me. But it was Ruth that completely won my heart with her smile and youthful exuberance. For someone who is damn near close to my age. (Late 30’s) She looks like someone you’d pass on the Freshman campus of your local Ivy League school. I honestly wish I had more time that day to get to shoot and talk about art and life in general but within a short time they were out the door and off to a meeting. Ruth and Mayra have embarked on a new business adventure. One can only hope it turns out to be as successful and rewarding as their friendship. Time will only tell.
Last week I did the kind of shoot that has become too few and far between for my liking. The truth is, with all the shooting I’ve been doing lately, not nearly enough moves me as much as that intimate one on one studio session. Recently I forced myself to sit down and write a list of all the things that make me happy and make me feel fulfilled in life. Things like family, friends and bulldogs were pretty high on the list. (Yeah, Bull Dogs) When it comes to things of the creative nature, I’d have to say studio photography is number one, two and three on my list. There is nothing that makes me more alive or feel as if I am at my very best. With all my faults, shortcomings and anxieties, when I am shooting I am at my very, very best.
This particular shoot was to test a new muslin I had picked up the week before at Calumet Photo. If you’re a follower of the blog you might know that I often find myself switching from seemless to muslin backgrounds with varied results. Though I had grown used to using seemless almost exclusively over the last year. (Black in particular) I wanted to look into working with the muslin. So with new studio gear in tow and no one to shoot I contacted a girl who I had worked with in a duo shoot the year before. Lucky for me she had some spare time and was ready to return for here solo.
When originally shooting with Jenn a little under a year ago I was able to steal away a few solo shots when the other girl was changing and managed to get some of my absolute favorite shots of the day. As beautiful as they were I knew they were only a very small sampling of what we could accomplish.
Jenn has three of the attributes I look most for in a model. Expressive eyes, lips and an awesome sense of humor. I was a little nervous about working with her again prior to that day due to the fact it had been such a long lapse in time since we last shot. However her sense of humor and nerdy qualities (That’s a compliment kids.) had us both cracking up from the get go. She even took the shoot to another level when she asked to revisit some shots she had seen of mine. The shoot instilled with me the fact that when I am a very, very lucky man. Thanks to Jenn for helping me to realize it.
Wednesday afternoon I headed to Calumet over on 22nd Street to pick up a few extras for the studio. I’ve been looking into getting a new muslin ever since my cat threw up on the rather large white one I had for so long. Although I’ve been using seemless for the most part. I like to mix it up from time to time. Seemless backgrounds are great but getting a couple of nine footers on the train back to Hoboken can be a bit of a haul. I picked up a nice black one that just happened to be on sale. I like the fact that I can take them down easily, roll them in a ball and toss them in the washer when needed. Once I started to use the black consistently in my shoots I didn’t want to shoot any other color again. The black adds a certain drama to B&W photos while adding pop to color. How can you go wrong. I learned early about placing the lights and the model a bit further from it to avoid weird circles and flare ups in the background. Once I got past that it was all gravy. Here’s a picture I took with my new copy of the New Breed compilation. The Wild Style version is a limited pressing of 200 and I was lucky and grateful to get 1/200. The compilation was originally released as a tape comp. in 1989. It featured the absolute best NYHC bands of the time. It’s just be reissued for the first time on vinyl through Freddy Alva’s Wardance Records.
Every now and then I work with someone who wants to bring along a friend or chaperone to make them feel safer and give them more of sense of security. I honestly don’t prefer it, you know what they say,”Three’s a crowd”. Third parties can get in the way and become a distraction at times but for the most part, my experience has been pretty damn good. I’ve had friends and even boyfriends that helped the model to let down her hair a bit or just lighten up the mood by making her laugh and feel less conscious. While at other times, just plain joined in the fun.
On this particular occasion my communication with the model I had wasn’t very good. I don’t recall what it was in particular but things just weren’t clicking as I had planned. At one time I photographed them together perhaps put the model at ease. The addition helped a lot as the strong friendship provided the chemistry I was unable to. As the shoot came to a close I pulled aside the second girl and managed to take a few solo shots. Her eyes, lips and attentive look were incredibly sexy.
Weeks later we talked about working with one another but before we were able to schedule anything concrete she had moved to South America. Though disappointed I feel rewarded that I was able to get handful of shots.
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