Few things bring us as much comfort as that old familiar couch. Back in my Hell’s Kitchen days I had this old green couch that was so long, two people could sleep on it comfortably without even being in the same area code as one another. These days I’ve got a nice brown micro suede couch that, though not as long, is quite comfortable and inviting. From time to time when I have a client over I break from the set and backgrounds and head for the couch. Most people take to it like they are in their own homes while others approach it rather gingerly. Perhaps thinking “What does he have in mind?” The results when lit just right are magic. I hereby dedicate this post to “The Couch”.
Tag: Studio Photography
Barbie revisited.


So what ever happened to Barbie? The work hard but play harder role model for little girls everywhere. The woman who launched a million Paris Hiltons and Linsey Lohans. The girl who spent years trying to convince herself and the world that her boyfriend Ken was not the poster boy for the “Don’t ask, Don’t tell” generation. Years of part timing on the runway and bouncing from job to job did not fulfill her dreams of one day becoming anatomically correct. Oh and we can forget the all night binges at the Play House in Malibu. Or the numerous times she crashed the sports car after a night of cocaine and meth binges. Some people just don’t learn. While others were sobering up and moving on to new and better lives. Barbie was still being spoiled with shopping sprees for new clothes, jewelry and accessories by little girls around the world. It was too much too soon for Barbie. For her life was a never ending party. She didn’t foresee that there wasn’t much of future in plastics and her years of retirement would be spent naked in a crowded Salvation Army bin with He-Man (Also gay) or even worse, a Staten Island land fill. I decided to tak a before and after look at Barbie and maybe give a Lindsy and Paris a look at what their future holds. Hope you enjoy.
Legion of the Sonne solo shots
This weekend I had planned to see Legion of the Sonne perform live at Outburn Magazines “Battle of the Bands”. Due to the death of a childhood friend I will be attending a wake instead. I know I promised David I’d be in attendance but I’m sure he understands the weight of my reason. A few months back I had the opportunity to work with the band on some promotional photos and had a great time. I had stepped away from working with bands for some time but these guys made me love getting back into it. As the session came to a close I stepped away from the band shots to photograph them individually. If you guys ever decide to do solo albums. You know where to come.





Friday Session: Edwige



I was dropping off a print at thegallery today when I saw this beautiful woman in the hall. I was scheduled to meet todays session there around the same time and though she barely resembled the picture that had been sent to me. I felt I had to ask. Cautiously I asked “Are you looking for someone in particular?” When she said “James” I smiled and introduced myself. In all honesty the picture she had emailed me did not even come close to the beautiful woman I was talking to. After a short introduction we jumped in my car and headed back to Jersey. Everything seemed to be going smoothly in the beginning. We shot some pictures under the overpass and headed over to the Monroe Center. She had big, beautiful eyes and a soft voice. She told me about her home in East Africa and how she missed the small things. How her first year of school had it’s challenges both academically and socially. I was eager to get back to the studio and work on some creative lighting. As much as I love working outdoors in natural light I have become more and more comfortable in the studio. I was also eager to work again with the strip box I picked up last week. She had told me earlier that she would get frustrated when she felt she wasn’t taking direction well and I felt that maybe our communication was off a bit. As we were taking the first shots I felt like I wasn’t achieving the lighting I had hoped for. Posing had also been somewhat of a challenge. All of the sudden it seemed as if we hit a wall. She looked somewhat drained so I asked if she wanted to call it a day. She said she was fine. Just a little tired. I told her to chill out for a bit (yeah, I say that sometimes) and offered her a drink. She opted for a Coke and “Pow” before you knew it we were back on track. In a short time we got some of the best pictures of the session. The dress she had brought was worn for the last few shots. I recall she had picked Duran Duran out of my CD collection to listen to and during the last few minutes was actually dancing. She really seemed as if she was in a good place. And for that I’m happy.
Friday Session: Jazz Guitarist Tony Crisos


I don’t claim to know a lot about Jazz as a whole. My first job while living in Manhattan was at a Jazz Label/ Floating Jazz Festival company. I also worked for a cigar smoking Jazz lover who ran a record store in the Village. I got the ins and out on Miles Davis, Charlie Parker, the many faces of Coltrane, Buddy Rich and a few others including my personal favorite Chet Baker. But overall I am a novice when it comes to the genre . Enter my friend Tony Crisos. Both student of life and teacher/performer of Jazz Guitar. To hear him talk about “true jazz” you would think it was one of the seven wonders of the world. Tony came to Hoboken today to hang out, catch up and take some pictures. After a stop at the corner Tai restaurant for some good food and conversation about his recent trip to Greece. We got down to business. My usual M.O. when having someone over is to find some good music. This time around I was treated to a live set of Tony’s best offerings. I had some issues early on in the session including getting used to using my new strip box and realizing a little late I had not reset my ISO to 100 after my last concert. (It turned out I shot the first few shots at ISO 1600) The biggest challenge turned out to be keeping Tony seated the first couple of minutes. The man is so full of energy and ideas. I could hardly get off a shot before he was jumping up and wanting to move to the next thing. However, once he started playing that guitar it was sheer concentration. It reminded me a lot of my Father when he played piano. He just went into his own world. There was no getting through. Tony is a great guy and talented beyond his years. He joked that our friendship was the only good thing that came out of our time with the company Freeze Frame. Sounds right to me.
Smoke ’em if ya got ’em!!!

Sometimes an idea comes along for a fun or off the wall photo session. Other times I just like to take silly pictures of friends. This moth I’ve got plans to combine the two. The idea is pretty simple . Find some of my favorite personalities and see ho they perform in non-typical roles. Whenever I come up with a concept or idea for a project I usually have a strong visual picture of what I want to achieve. I almost always have certain people in mind. Who would fit best with the ideas I’m trying to convey. Some say no. Some take some coaxing and there are people like Mandy that are almost certainly willing to contribute. Jeez, I’ve known Mandy more than half my life. She’s one of my closest friends and someone I can always turn to. Her energy, sense of humor and giving nature are infectious. Whenever I have a show or need help on one of my projects she always says “Sure, anything to get to see you.” Now I know I’m cool. But I ain’t that cool. She’s always been there for me through the good times and the bad. No questions asked. The truest definition of a friend. I’m really glad I got to start this silly project on a high note. Thanks love.
Seamless V.S. Muslin

I spent much of last night changing the backgrounds in the studio in preparation for the upcoming weeks shoots. On Friday I decided to go with a muslin and wasn’t really happy with my choice. A few years ago I decided to turn my living room into a part time photo studio. I invested in some auto poles and picked up the Genesis 200 series light kit. I even purchased a nice soft box. Though it takes some maneuvering I seem to have just enough space to make it work. Along the way I’ve picked up several muslins and have an assortment of seamless backgrounds. In the early going I tended to lean towards using the muslins more often. The were wider than the 53 wide seamless backgrounds I had. Easier to store and a synch to hang. The seamless however were cheaper and in my opinion produced somewhat of a cleaner look. The only problem was the 53 inches of width did not allow me much room to work with. Head shots were one thing but my 3/4 shots were often to tight and you can forget about full length or family portraits. I needed to get a wider paper but the next size up was 109 inches wide. To wide for the space I had. I thought of everything and even looked into having the local lumber yard cut it down to a useable size. Finally in the end I found a place in Chelsea that not only carries the larger size but can cut it down to your specific needs in a matter of minutes. Problem solved right? Well, yes. But I still go back and fourth between the two choices. Both offer their conveniences and challenges. I’m going to stick with seamless for this weeks sessions and see how I do.



