Man Cave in Progress

Since elementary school, my addiction to music and the culture it involves has consumed much of my life. Which, for all purposes and interests consumes a lot of territory. It came to a boiling point shortly before I got married in 2001, that I sold all my first press hardcore punk records individually and used the money to finance a honeymoon in my wifes’ country of origin Japan. First off. Japan is without a doubt, the most beautiful country I’ve ever traveled. By all means. If you get the chance. Go there. By any means nessacary. Second. Don’t sell your records. Ever. I mean, unless your doctor just diagnosed you with an incurable dicease and given you less then a year to live. Even then, think hard. I mean think really hard.

Lucky for me.Throughout my adult life, I’ve had the space and later rooms to store and enjoy my music. As for that large collection I sold. Well, that two crates of LP’s and two boxes of 7′ EP’s have since been replaced and multiplied by crazy numbers. Even after selling ten boxes to a retailer before moving back east. My collection is a beast. My current home, much like my last four dwellings have had second bedrooms divided to records, cd’s, dvd’s and other monuments to my extended childhood. This one, a nerdist kingdom, if there ever was one.

The Rye Coalition kill it.

When I think about all the great music I’ve been privileged to see and document lately it makes me feel as if I’ve been spoiled. During an interview last night I was reminded of the drier times. Nights when there was no show to look forward to. Days when a trip to the record store seemed pointless because the same act was being recycled over and over again. Right now there is an abundance of great shows happening at venues of all sizes. Bands that played in our salad days are doing reunions and even making new music. My eyes and ears are constantly be treated to amazing sounds. Bands I worshiped back in the day and ones I missed. The term “Best show ever.” keeps repeating itself over and over. Saturday night was one of those “Best Show Ever” moments as Rye Coalition poured every drop of energy, sweat and testosterone into their reunion show. Like many of the best bands from their era they were underrated and under appreciated. It wasn’t until they were gone that a lot of people realized what they missed out on. I was lucky to be there front center to take shots for Jersey Beat and of course, myself. Thanks to Jim Testa for getting me the ticket. This will be the first of two sets of the shots I love most.

A night at Maxwells

During the past couple of weeks New Jersey has quickly turned in Seattle on the East. It’s been rainy, windy and downright depressing. You can’t help but notice the effect it’s had on just about everyone. Due to allergies I lost my voice for about a week and learned the hard way how much we take the art of breathing for granted. Sick or not I needed something to do because I was getting downright depressed. So word that there was going to be a good show at Maxwell’s was the best medicine an old man could get.  This show took on a special quality due to the fact that Ringfinger and Cinemasophia were playing. This was the first time Tracy (Ringfinger) had performed at Maxwells since her days fronting Dahlia Seed more than thirteen years ago. I was lucky enough to see the first Ringfinger show in Richmond about a month ago and was eager to see her in what in a sense was a homecoming.

The small turnout of mostly friends and familiar faces which gave it a very intimate and personal touch. The kind that reminded me of better times musically. Cinemasophia opened the show. An awesome band with members hailing from as close as Brooklyn and as far as Richmond. I’ve already had the pleasure of seeing twice. Each time getting to know their song a little more intimately. They’re latest release is the first on Tracy (Ringfinger) and Dave’s (Rocketscience) label “Little Black Cloud” records. I’m not very good on describing sound or applying genres to bands so i’ll just say I enjoy their laid back and eclectic sound.

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Next up was solo act Jean on Jean. I was not at all familiar with her. One girl playing a guitar. Pretty stripped down and folkie. Not my thing but I would imagine they eat this stuff up at the coffee houses in Williamsburg Brooklyn.

Tracy aka Ringfinger closed the night with a short but tight set. I noticed a marked improvement from the first night she performed the songs. The songs on her album “Decimal” pack the same genuine emotion and resilience  that made Dahlia Seed so loved. With Dahlia Seed she had the support system of a band behind her but without that I would imagine she feels a lot more vulnerable. Something that might take some getting used to. I would also think performing the songs is both painful and cathartic at the same time. It was a really good night for everyone. I think seeing her perform the songs at Maxwell’s made it all the more special. Thanks Tracy