Bring a Sidekick

For as long as I can remember. My wife has been my biggest supporter and critique when it comes to photography.           She understands the way my brain works and she always pushes me to do more with my passion. Having her by my side during many of my photography trips always gives me a sense of security while providing a safety net and getaway driver when I need it most. On the wayShe’s always been my second set of eyes while giving the ones in the back of my head somewhat of a heightened awareness. She’s more than happy to stop the car and pull over to indulge my curiosity and often offers to hang out for hours while I do my thing.  So when we found ourselves traveling down a somewhat sketchy road in upstate New York. She didn’t seem the least bit worried when I jumped out of the car to indulge myself in the urban landscape. When I returned, my getaway car was waiting for me with the engine running.   So, my advice is this. Bring a friend along. Make sure he/she doesn’t look seedy and has a good set of eyes. Be sure to feed them and provide all the things needed when building that sidekick foundation. Until then.

“Where we’re going, we don’t need roads.”

We were on our way home from an event at Asbury Lanes when we pulled into a local rest stop. Looking for coffee, gas to fill our tank and a functioning restroom (Not necessarily in that order.) It was about 2:30 am and the road was black as … well, you know.     There was not a street light in sight and with the exception of the glow coming from the gas station there was nothing. Got Gas-9583                    As we headed back to the car I became hypnotized by the amount of power that small outpost resonated. I’d liken it to something out of Star Wars with the mighty and ominous Death Star floating amongst the constellations. With my wife in the car and the engine running I steadied myself as not to create any unwanted camera shake and took my shot before heading back to the car and my now cranky wife. More and more,   I find myself realizing that it’s not the events I shoot that reward me with my favorite images. It’s the long ride home.

Re-learning to Light

StephDuring a winter workshop      I attended in 2012.         The instructor pointed out that my studio work was flat. It was an observation that, at the time, I really did not understand what she meant but took it as a negative critique of my work. A few moments later I was asked about the editing software I used. When I replied “Aperture” a gasp of shock and shame seemed to fill the room. Looking back, it was it if I was cast aside, exiled and destined to wear carry the Scarlet “A” (A for Aperture) around with me for life. Later that day a fellow attendee took me aside and suggested I move up to Lightroom 4. He used some easy to understand comparisons for me to understand. “It’s like going from Atari to Xbox. He also took the time to explain lighting techniques a little deeper. Though I was a bit embarrassed by my shortcomings at the time. I was more grateful for the knowledge and learning experience.

Steph IIAlmost as soon as the workshop let out the day.     I was off to purchase Lightroom 4 and book a few sessions in order to test my new knowledge out. I could immediately see the difference in the images I was editing in Lightroom 4, especially by making minor adjustments with the black and white levels. (not available with Aperture) Simple tweeks that made a world of difference in the images I had taken. Minor adjustments in highlights can also be noted. I could already see the depth to my older work. When my model stopped by I changed the lighting angles and worked with less light. Something that also added depth and character. I really got to understand what she meant about flat images and flat lighting.     I was no longer flooding the room with light. I was using it to to highlight areas, not overwhelm them. Since learning this, I’m really seeing the light, shadows and detail of the image before I even take it. It’s given me more confidence. I find myself working faster and taking fewer wasted shots. It’s been a real revelation to me. One that I know will help me continue to enhance my skill and build on what I’ve already learned. Like Yoda said “In a dark place we find ourselves, and a little more knowledge lights our way.”

Messin’ with Manual

This weekend I took the Canon 7D to it’s first show and shot on manual with no flash. This was my first time shooting for NJ Underground. It was also my first time shooting simultaneously for NJ Underground and Jersey Beat. Though this was a working assignment I still wanted to use a little spare time to get creative and play around with lighting and speed. Below are my favorite oddities from Cropduster’s set. I’ll post the more fan friendly shots later.

Happy Thanksgiving.

I don’t get to see my family very often. Holidays and Birthdays for the most part. Being that my parents divorced when I was six, I’ve gained an extended family of step and half brothers and sisters. Though we’re all very different I love them with all my heart and look forward to the time we get to spend together. Here’s a few pictures I took with the new Canon 7 D.

Mike and Jackie.
She's a total sweetheart.
My Brother Matt. The most chill person you'll ever meet.
Brother Mike
My Father and Matt.