An Interview with ‘Grain Check’ Photographer, Taylor Pendleton

As artists of any form, we consistently find inspiration in others’ work. Through our droughts and doubts, we look to other artists to light a fire underneath us and see our motivation to move forward and create. I found inspiration in my roots as a film photographer when I found Taylor’s vlog, ‘Grain Check.’ Refueling an obsession with cameras, film, the process, technique, and everything involved. As someone whose been a digital photographer since way back. I find film photographers to be brave, creative souls who approach things differently due to the differences between film and digital photography. The cost of film, development, and the absence of instant recognition can intimidate many. I reached out to Taylor for all the reasons listed above.  The following is what she had to say.

James: Can you introduce yourself? What you do and where you’re from?

Taylor: Hi! I’m Taylor. I’m a film and digital photographer and YouTuber originally from Las Vegas, Nevada. 

James: Tell us a little bit about your journey as a photographer.

Taylor: I was always interested in cameras as a little girl – I’d often ask my parents if I could carry around their point and shoots for the day. It wasn’t until high school, though, that I started to take it seriously. Fast forward to my senior year of college and I’m dropping out 3 months before graduation because I was working full-time as a wedding photographer and knew my English degree would never do me any good. My dream was to be a photographer (I didn’t know which kind yet) and I was well on my way.

James: What made inspired you to host a You Tube channel? How do you feel about the feedback?

Taylor: I never ever imagined myself to be a YouTuber. But I landed a gig at Moment (a small online camera store) where they needed another YouTube personality who was already a photographer. So, my days of talking to a camera began! And now, 5 years later, I’ve got my own channel called graincheck and I’m having a blast with it. The feedback has been overwhelmingly supportive. The YouTube comment section can be a brutal place, but I can count the times I’ve gotten hate on one hand. It’s been incredibly positive!

James: What was it like adjusting to being filmed?

Taylor: Honestly, pretty fun. There were times in the beginning where I’d struggle to deliver a line over and over, which was frustrating and embarrassing. But, for the most part, it was fun to be a goof and do my thing on camera. It also made me so aware of myself – in a good way! 

On Shooting film. “It forces you to be intentional with every shot and present in your environment (no checking your images after you take them). You make sure, to the best of your ability, you got the shot and then you move on. It’s a beautiful process.”

James: What are the key characteristics that draw you to photography? Is there a style or element in particular that you gravitate towards? Why?

Taylor: I’ve thought about this a lot and I’ve never landed on what it is about photography that I’m specifically drawn to. There’s some x factor that I can’t put my finger on. It just feels like a part of me, an extension of me. Maybe because I’m not the greatest with words, I feel I can express myself through visuals? I don’t know, but it’s a real feeling of solace for me. When life is hard, I literally will tell myself “no one can take photography from you.” It is my peace. As far as style, I’ve been all over the map. It’s an evolution for me, which I enjoy. I never want to feel boxed in. Right now, I’m diving into colorful digital studio portraiture and black-and-white film landscapes.

James: What went into your decision to shoot film VS digital? What about the cost and the immense space that film, negatives, and prints demand? (Note, that I love and understand the meaning of “Stay broke. Shoot film.”)

Taylor: I shoot both, so I choose digital or film on a daily basis depending on how I feel. But, for my channel, I focus on film. I think people like to see and hear the experience of shooting film, since it is so sensory. Film, especially right now, is incredibly expensive to shoot. I’m lucky to get highly discounted (and sometimes free) resources to keep it going.

James: With your experience, what would you consider the biggest pros and cons of being a film
photographer?

Taylor: Pro: It forces you to be intentional with every shot and present in your environment (no checking your images after you take them). You make sure, to the best of your ability, you got the shot and then you move on. It’s a beautiful process.
Con: Expense, for sure. And the wait time to get scans back…it can be painful.

James: You embarked on a yearlong project to exclusively shoot black and white film. What has the
project taught you and how have the results informed you?

Taylor: I’m officially halfway through the year (crazy!) and I’ve benefited from it so much already. I have better learned what each hue looks like on the grayscale and I’ve become SO much more aware of light.

James: With all the different variations of film you’ve shot. Have you found one that best suits your
needs?

Taylor: My go-to black-and-white stock is Cinestill XX. While it’s a slower speed film, I never need to touch my scans. It is absolutely delicious.

James: A list of the film cameras you own? Is there one that you consider your preferred every day or
favorite? Why?

Taylor: Oh man. I have a lot, but many aren’t functioning. The ones I frequently use right now are the Pentax 645, Contax T3, Contax G2, Yashica T4, Ricoh Mirai, and the Fujifilm Instax 210. My every day camera is the Contax T3, since it’s compact and an absolute superstar of a point-and-shoot (fast & sharp lens, built in flash, and it’s cute as hell). 

James: On your vlog you’ve featured many of the photographers and team you work with. How did that meeting come about and what is it like to be around so many like-minded, creative people?

Taylor: Because of my job at Moment, I’ve become connected to so many photographers and creatives. It’s such an awesome community to be a part of. Sometimes, it can feel like an echo chamber where all you think about and see is photography, so I make sure to fill my brain with other things when I can!

See more of Pendleton’s work by clinking the links below.

Personal Website https://taylorpendletonphoto.com/

You Tube https://www.youtube.com/channel/UC-FnGaXQfgXFbEiq28uEEng

Instagram https://twitter.com/trmpendleton?lang=en

Going Underground.

With about a half hour to kill before my haircut appointment, I took a trip down the escalator to check out the subway stop to fuel my newest obsession with photographing trains and the stations they frequent daily. I’ve lived in Virginia for over two years and have just started exploring its complex interiors. Having toured and ridden the subways of London, Paris, Tokyo, and others. I’ve come to appreciate the architecture and designs incorporated by many. Inspiring my respect and appreciation for what comes from the minds of true artists and respected methods that often convey the visions of gifted minds. It’s easy to take things of this nature for granted, as we are so focused on our daily travels and mindsets. Please think of the countless times I’ve focused on my phone screen or kept my head down to avoid unsolicited contact. There was a moment when I focused on the moment at hand, fixated on this colossal and timeless gift to creativity.

Documenting Your Surroundings.

Over the years, it’s become crystal clear that my wife is my staunchest critic and supporter. However, adding her to the creative aspect of it all is both a major distraction and a pain in the fucking ass. As someone who has become more of a landscape and street photographer in recent years. My wife is, more than often, right by my side. Whether it be asking a million question as to what attracts me to a subject or being over protective to my history of risky attempts of capturing a moment. A good example would be yesterdays trip to Richmond and my fascination with photographing many of the downtown murals.When asked about “Photographing other peoples art.” and, basically hijacking someone’s creative energy. When my explanation of both documenting and interpreting my surroundings didn’t communicate the intended message. Explaining that my approach and goal while when shooting is to document the artists work respectfully. While also interpreting and conceptualizing in my own way. Why that might some like bull cookies to many. It’s how I do.

Photographers Rights

‘I’ve been taking pictures for decades now, however, since the tragedy of 9/11. I’ve been questioned, detained, and told what I could not photograph countless times. Whether it be a police intervention, a property owner, or a security guard, I’ve gotten used to being told, “You can’t take pictures of this.” Or, “What are you doing here?” “What are you taking pictures of, or for?” And “How long do you plan on being here?” It’s something I’ve become used to and somewhat expected. That said, there are times when I ignore or straight-up challenge their demands. That’s why when, earlier this week, I was told by a security guard that I was forbidden to photograph a building on a public street. I chose to explain my rights instead of getting pissed and telling them to “fuck off!” I explained to them my rights and how their demands might be best served in North Korea or some other dictatorship. When I got home, I decided to go online to learn my rights as a photographer. Before my next outing, I plan on printing my rights in the likely chance I’m questioned, held, stopped, or informed about what I can and cannot document. As a fellow photographer, I recommend you do the same.

A.C.L.U. Photographer Rights


Abstract Moments

No matter where I go, or what I do. I see just about everything as a picture opportunity. Whether I have my camera with me by my side or my phone in my back pocket. Every time is picture time. Like a true superhero. My strength is my weakness. So, as we sat at the counter waiting for our breakfast, I became drawn to the drinking glasses in front of me and how they warped the scene just outside the diners window, with the coasters in focus while the the rest of what you’re seeing was somewhat warped. I felt I had something worth capturing. The results seemed worth sharing.

In All Likelihood, it will never happen again.

I feel very lucky to have had the privilege to work with so many incredible muses. Ones who brought out the best in me. Often helping me to develop and visualize my artistic goals. No matter how awful or uneducated my ideas may have, and may still be. These people nourished whatever artistic or photographic ideas I might have had. Even comforting me when they didn’t produce the best results. As time has passed, I’ve come to realize that this kind of chemistry and artistic vision will, most likely, never happen again. Still, I remain forever grateful to have had the opportunity to explore my creative ideas and and quench the thirst that often comes with them.

Faces

Just as we wear skincare to cover our blemishes and makeup to… wait, why do people wear makeup? We wear masks to hide our pain or secrets. Ultimately, we find a commonality in pain, suffering, joy, happiness and art. As divided as we may seem at times. Many of us, maybe even most, are connected on some level. During my recent travels along the east coast. I photographed many of the murals featuring the many faces and moods painted on the walls, parks, boardwalks and buildings. Each time, trying to understand the message/messages that artist was trying to convey. I’d love to read your thoughts.