A Tribute to Tupac

As I turned on the news Friday night, the news of the New York City flood was interrupted with the report of the arrest of a suspect in Tupac Shakur’s September, 1996 murder. I was working nights at a West Village record store at the time. It was only days later when working on a portfolio with an aspiring model when I came across this just erected monument. Viewing the news report and locating this old imageI reminded me how much of an influence his words meant to and influenced me. How, more than twenty years after his murder, I never thought I’d see a day where we approached a sense of justice and closure. Only time will tell if the evidence found will bring a conviction, but this announcement brings us closer to the truth.

Ongoing Project

After picking up a couple of enlargements (My first in over a year.) at Arlington’s District Camera. I decided to begin working on a project that focuses on transit. (With most, if not all of the images taking pace on train platforms and stations. With my entire life taking place just blocks from the local and express trains. There is a pulse, a certain eb and flow that inspires me and has taught me that we are all in perpetual movement. Even as we sit still. The world around us never stops. The images I’ve printed (Both posted here recently.) will serve as the basis of this project. With ones from the past and near future travels will complete it. While I’m not yet sure if I will shop a gallery, art space or digital platform. Regardless, it feels good to have new ideas and inspirations. This morning I went downstairs to our storage space to dig for an old hard drive with older pictures from my life in New York City, New Jersey, and Seattle, Washington. There are few images worth finding and printing.

An Interview with ‘Grain Check’ Photographer, Taylor Pendleton

As artists of any form, we consistently find inspiration in others’ work. Through our droughts and doubts, we look to other artists to light a fire underneath us and see our motivation to move forward and create. I found inspiration in my roots as a film photographer when I found Taylor’s vlog, ‘Grain Check.’ Refueling an obsession with cameras, film, the process, technique, and everything involved. As someone whose been a digital photographer since way back. I find film photographers to be brave, creative souls who approach things differently due to the differences between film and digital photography. The cost of film, development, and the absence of instant recognition can intimidate many. I reached out to Taylor for all the reasons listed above.  The following is what she had to say.

James: Can you introduce yourself? What you do and where you’re from?

Taylor: Hi! I’m Taylor. I’m a film and digital photographer and YouTuber originally from Las Vegas, Nevada. 

James: Tell us a little bit about your journey as a photographer.

Taylor: I was always interested in cameras as a little girl – I’d often ask my parents if I could carry around their point and shoots for the day. It wasn’t until high school, though, that I started to take it seriously. Fast forward to my senior year of college and I’m dropping out 3 months before graduation because I was working full-time as a wedding photographer and knew my English degree would never do me any good. My dream was to be a photographer (I didn’t know which kind yet) and I was well on my way.

James: What made inspired you to host a You Tube channel? How do you feel about the feedback?

Taylor: I never ever imagined myself to be a YouTuber. But I landed a gig at Moment (a small online camera store) where they needed another YouTube personality who was already a photographer. So, my days of talking to a camera began! And now, 5 years later, I’ve got my own channel called graincheck and I’m having a blast with it. The feedback has been overwhelmingly supportive. The YouTube comment section can be a brutal place, but I can count the times I’ve gotten hate on one hand. It’s been incredibly positive!

James: What was it like adjusting to being filmed?

Taylor: Honestly, pretty fun. There were times in the beginning where I’d struggle to deliver a line over and over, which was frustrating and embarrassing. But, for the most part, it was fun to be a goof and do my thing on camera. It also made me so aware of myself – in a good way! 

On Shooting film. “It forces you to be intentional with every shot and present in your environment (no checking your images after you take them). You make sure, to the best of your ability, you got the shot and then you move on. It’s a beautiful process.”

James: What are the key characteristics that draw you to photography? Is there a style or element in particular that you gravitate towards? Why?

Taylor: I’ve thought about this a lot and I’ve never landed on what it is about photography that I’m specifically drawn to. There’s some x factor that I can’t put my finger on. It just feels like a part of me, an extension of me. Maybe because I’m not the greatest with words, I feel I can express myself through visuals? I don’t know, but it’s a real feeling of solace for me. When life is hard, I literally will tell myself “no one can take photography from you.” It is my peace. As far as style, I’ve been all over the map. It’s an evolution for me, which I enjoy. I never want to feel boxed in. Right now, I’m diving into colorful digital studio portraiture and black-and-white film landscapes.

James: What went into your decision to shoot film VS digital? What about the cost and the immense space that film, negatives, and prints demand? (Note, that I love and understand the meaning of “Stay broke. Shoot film.”)

Taylor: I shoot both, so I choose digital or film on a daily basis depending on how I feel. But, for my channel, I focus on film. I think people like to see and hear the experience of shooting film, since it is so sensory. Film, especially right now, is incredibly expensive to shoot. I’m lucky to get highly discounted (and sometimes free) resources to keep it going.

James: With your experience, what would you consider the biggest pros and cons of being a film
photographer?

Taylor: Pro: It forces you to be intentional with every shot and present in your environment (no checking your images after you take them). You make sure, to the best of your ability, you got the shot and then you move on. It’s a beautiful process.
Con: Expense, for sure. And the wait time to get scans back…it can be painful.

James: You embarked on a yearlong project to exclusively shoot black and white film. What has the
project taught you and how have the results informed you?

Taylor: I’m officially halfway through the year (crazy!) and I’ve benefited from it so much already. I have better learned what each hue looks like on the grayscale and I’ve become SO much more aware of light.

James: With all the different variations of film you’ve shot. Have you found one that best suits your
needs?

Taylor: My go-to black-and-white stock is Cinestill XX. While it’s a slower speed film, I never need to touch my scans. It is absolutely delicious.

James: A list of the film cameras you own? Is there one that you consider your preferred every day or
favorite? Why?

Taylor: Oh man. I have a lot, but many aren’t functioning. The ones I frequently use right now are the Pentax 645, Contax T3, Contax G2, Yashica T4, Ricoh Mirai, and the Fujifilm Instax 210. My every day camera is the Contax T3, since it’s compact and an absolute superstar of a point-and-shoot (fast & sharp lens, built in flash, and it’s cute as hell). 

James: On your vlog you’ve featured many of the photographers and team you work with. How did that meeting come about and what is it like to be around so many like-minded, creative people?

Taylor: Because of my job at Moment, I’ve become connected to so many photographers and creatives. It’s such an awesome community to be a part of. Sometimes, it can feel like an echo chamber where all you think about and see is photography, so I make sure to fill my brain with other things when I can!

See more of Pendleton’s work by clinking the links below.

Personal Website https://taylorpendletonphoto.com/

You Tube https://www.youtube.com/channel/UC-FnGaXQfgXFbEiq28uEEng

Instagram https://twitter.com/trmpendleton?lang=en

Going Underground.

With about a half hour to kill before my haircut appointment, I took a trip down the escalator to check out the subway stop to fuel my newest obsession with photographing trains and the stations they frequent daily. I’ve lived in Virginia for over two years and have just started exploring its complex interiors. Having toured and ridden the subways of London, Paris, Tokyo, and others. I’ve come to appreciate the architecture and designs incorporated by many. Inspiring my respect and appreciation for what comes from the minds of true artists and respected methods that often convey the visions of gifted minds. It’s easy to take things of this nature for granted, as we are so focused on our daily travels and mindsets. Please think of the countless times I’ve focused on my phone screen or kept my head down to avoid unsolicited contact. There was a moment when I focused on the moment at hand, fixated on this colossal and timeless gift to creativity.

Influences and Origins

The other night, I came across a documentary about New York City photographer Ricky Powell (R.I.P.). Perhaps best known for his raw images of NYC personalities and the up and coming graffiti and hip hop scenes. Powell, was, amongst many artists whose art and images inspired me to pick up a camera and document the world around me. The documentary features many of the highs and lows while remaining focused and very interesting. Overall, it had me thinking about organizing, printing, and even attempting to display my work at a local gallery. With so many other, perhaps more important, tasks on my to do list. The reality that I don’t know anyone outside my immediate neighbors in the area. Chances are slim for any exhibitions. Still, I plan on consistently sharing my images on the internet and with anyone who’s willing. The image below was taken more than ten years ago when I lived and worked in Hoboken, New Jersey.

Bringing Lost Treasures back to Life.

I’m finally getting images off the floor, out of the closet, and onto the white walls of our condo. Thoughts arise regarding what goes where and the themes they represent—taking a nod from childhood memories. Two impactful ones immediately come to mind. The coop my Mom raised me in as a child had two bathrooms. The smaller one, just off the kitchen, was always the one that doubled as a bathroom/art gallery. Small, yet functional. The small area was lit by one of those funky colored bulbs and rotating art that varied from nudes and movie posters the company she worked for produced. At the same time, my Father ushered in my love for boxing by installing a heavy bag in his garage and sharing his love for the sport with me. A passion and appreciation that has stuck with me since.

So, when needing one last print for my boxing-themed room. I dug deep into my Lightroom 4 images and found a long-lost gem that perfectly captured my envisioned mood and vibe. Taken ten or more years ago by an actress, model, and stuntwoman I worked with in my small, Hoboken studio. The session this image came from marks the beginning of my love, understanding, and practice of adding shadow, contrast, and mood to my studio lighting.

To your right, is one of the first print/enlargements I’ve made in more than five years and my first with District Cameras Arlington location. Having done business with them numerous times in the past month, I can only say the most positive things when recommending their service.

Abstract Moments

Working from home is one way of closing yourself off from social interaction. Enduring a dark, rainy day ensures I won’t be going very far. However, today’s combination of both did little to extinguish my desire to attempt anything remotely creative. Thankfully, the rain left its impression on our living space. As drops of rain collected on our windows and doors. Enough to make for a pretty cool idea. In working on using light, shadow, and other aspects to achieve my future goals of using natural light to create mood in my portraits. I find that experimenting with various elements will benefit me in the end.

Thinking Aloud

In recent weeks and months, I’ve become candid regarding my obsession with photography and the fact that I see the majority of things as potential photographs. Over the years and decades, I’ve been a photographer and taken countless photos while overcoming many difficulties and conquering even more. The problem, if there is one. That I don’t think I’ll ever be so satisfied or let down that I’ll be able to close the door on needing to have my camera by my side or wanting to document what I’m seeing. Over time, I may often feel discouraged by the outcome of what I shot. But, few moments bring me the kind of happiness, or child-like enthusiasm, that I experience when photographing or composing a shot.