Concert Lighting, Flash and Lenses.

Canon 50mm 1.4 (w/o flash)

Though I would love to shoot all my concert photos without the distraction of flash the lens I normally use (Canon 15mm Wide USM) simply does not give me the speed I need to get the sharpness a lot of my work requires. A couple of years back I did a little research and found that Canons 50mm 1.4 had the speed I needed to get the job done. However, the fact that the bulk of my concert shots are taken in small to medium venues made for a lot of really tight shots. In bars and taverns such as Maxwells those tight crops were more like head shots.

Canon 50mm 1.4 (w/o flash)

So over the past weeks I did my share of tests with both the Canon 50mm 1.4 and the Canon 15mm Wide Angle USM. Shooting on Manual Mode and changing the settings  to adjust to the light I was able to produce some interesting results. While using the wide angle approach I was able to get right in the eye of the storm and get some interesting and artistic results. Though most were blurred and disposable,  I did find some keepers amongst the ruins. The next night I played around with the 50mm 1.4 and though I was able to get crisp image after crisp image, the distance from which I shot made me feel more like a bystander. There was really no comparing as far as I was concerned.  Although shooting without flash adds a sense of intimacy and storytelling to my images. I felt the wide angle clearly gave me a the exaggerated vibe I want in my work. It gave me a sense that I was right in the middle of the action as opposed to the bystander element that the former produced. I’d love to hear from other concert photographers about their experiences and approach. I’m always looking to experiment and try different things as I move towards creating my own style. I look forward to the challenge.

Canon 15mm wide angle (w/o flash)

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