Below are a couple of closeups that focus on the bass and guitar of Holy City Zoo’s AJ Russo and Frank Joseph. HCZ were one of my favorite bands’ that populated the Tiny Giants collective. Having been a part of the collective, myself. I’d go out and see them live, every chance I got.
Over time, I began to include a few pictures of the crowds expressions, participation and overall reaction to particular acts, sets and song. For as long as I’ve attended shows and gone to concerts, every act with little to no exception, had a particular song that the audience knew every word, hook and breakdown. While it was always a great opportunity to capture the moment when a singer reaches his emotional halcyon or time the moment when the guitarist launches in the air. It might also be the perfect opportunity to catch the reaction to the crowd. The images to your right were captured about eight years apart. The above captures the crowd at a Revelation Records showcase at CBGB’s. While the one below shows the emotion of the crowd during a set by the band Thursday at Atlantic City’s House of Blues.
The first time I traveled to Maxwells to see Canada’s The Doughboys, I had a full-blown seizure outside the club and missed the entire show. The second time, which, if memory serves, wasn’t that far apart. I returned to Maxwells and thoroughly enjoyed watching the Doughboys leave their mark on Hoboken and everyone that came to see them that night. Adding to the excitement, I even cornered Kastner long enough to answer some questions for a fanzine I was working one at the time. Enormous thanks go to my old friend Tim. For if it wasn’t for hanging out with him, I might have never gotten the chance to enjoy those early Doughboys classics.The images below were taken by yours truly, at that second appearance at Maxwells, If you gt a chance, head over to discogs where you can find more information about the band and their releases.
Having gone to so many shows in the ’90s and perhaps not having a way to file all the negatives and prints I had adequately. I would sometimes lose track of what band was featured in some of the images I had. And though I’m convinced the picture posted is of Christie Front Drive frontman Eric Richter. Though I exhausted numerous channels to confirm that, yes, it was indeed the band you mentioned, my inquiries were often answered with, “I don’t know. I never saw them live.” or “I don’t know. We never played a show with them.” Still, I always loved this image and the ones I had taken that day at ABC No Rio. So until someone says otherwise, denies or confirms, I will continue to believe this is none other than Christie Front Drive.
Bivouac were a band from Derby, England who had an excellent album called ‘Tuber’ on Elemental in 1993. On that album was an acoustic jam called ‘Dead End Friend’ which featured a verse “Daren’t go to the dentist…for fear of being (pause) fucked while you’re asleep.” It was a great song and I played the fuck out of it. When the time came for them to tour, they stopped in New York City to play CBGB’s. I was able to set up an interview with which was conducted outside the club guitarist, vocalist (pictured below) Paul Yeardon, in which we talked about touring, the bands reactions to being in New York City for the first time, and of course, our mutual fears of the dentist. I highly recommend checking out the band and learning more about their music.
I fondly remember listening to records while hanging out at my friend Tim’s House. Along with our love for our mutual love for the Descendants, All and others, we both reveled in the joy that was ‘Album Type Thing’ by California’s Big Drill Car. Along with the Doughboys, Big Drill Car was perhaps the two bands I listened at the time. Though I was immediately hooked on songs such as ’16 Lines’, “No Need,’ ‘In Green Fields,’ ‘Diamond Earrings’, and their cover of Cheap Trick’s ‘Surrender.’ In retrospect, I think it took me a while to remember the name Big Drill Car. For reasons unknown to me now, the name just seemed odd and even outlandish. Still, I was so psyched when they came out east and played Maxwells. Though I can’t recall who they played with. I remember the room being packed and the energy from both the band and the crowd being paramount. ‘Til this day, I still listen to the bands’ recorded output and have both compact disc and vinyl versions of everything the band released. Below is a link to Discogs to view all their releases.
I first met Al when he was playing bass for New Jersey’s Dog Tired. A punk band heavily influenced by bands such as the Pogues and Still Little Fingers with lyrical muscle that might find itself swimming with more emotive bands such as Dischord Records Rites of Spring and Embrace.
When I moved to Manhattan in 1994, I began to see more and more of Al. I always and still do, consider him a good friend. Enjoying going to see him in a number of bands including The Fury’s (Who eventually changed their name to The Truents.) and (pictured here.) The Deviators. Though I haven’t seen Al in years, I’m sure if we ran int0 one another, we’d be able to pick up just where we left off. If interested, you can find more information about Dog Tired, The Truents and The Deviators on Discogs. I’ll leave a link just below.
How I wound up in a car headed to Connecticut with a Hare Krisna band is a conversation for another day having forged a friendship with one of the ban’s bass player just days before was enough to secure a seat and a round trip ride with the band Baby Gopal. After a stop at a Brooklyn Krishna temple and dropping by Sri’s in-laws (Ray Cappo’s parents) home, we headed to Connecticut’s Tune Inn, where Baby Gopal and a host of other bands, most notable for me, Samuel were to perform. Below are a couple of images I captured of the group.
The bands ‘Lives of Insects’ ep on Art Monk Construction still sits in my record collection today, receiving regular play. There are a couple of other singles out there, including a split with New York’s Texas is the Reason, also released by Art Monk Construction. Check them out Here
My initial introduction to New York’s Turbo A.C’s came at a random New Jersey bar. On that particular night I was visiting a friend whose New Jersey thrash core band happened to be playing. With my hopes to get a bus back to the city dashed, I turned to the only band heading back to New York City that night. The alternative of sleeping on my friends bedroom floor was my only other option and to be honest, I’d hitch a ride with a serial killer before choosing to do so. Luckily, Mike and Kevin were more than happy to oblige with the caveate that we stop at local dinner before hitting the Lincoln Tunnel and escaping to Manhattan to secure our freedom.
After that night I stayed in touch with Kevin and Mike as I began to explore the punk revival happening in and around New York City’s the Continental. Of all the bands I went to see there, I found their music to be most relatable. Often reminding me of bands such as The Hellacopters, Supersuckers and Hard-Ons.
Plain and simple, Superchunk changed my life while leading me into an exciting and rewarding musical direction that still inspires me while eating up most of my time and disposable cash. After a few years of worshiping the band and picking up everything I could find from Merge records, I finally got to see the band live at the intimate settings of my favorite music venue, Maxwells. ‘Till this day, 1991’s “No Pocky for Kitty'”and 1993’s “On the Mouth” still get regular spins and remain as two of my desert island discs. If I can recommend anything. It would be to visit Merge records and get to know each and every band and record on the site. Merge Records