Over the weekend I decided to pull the trigger and purchase the Canon 70-200 f4 USM telephoto lens. The choice came after almost a year of researching, second guessing and ultimately deciding on purchasing a much more budget friendly and lighter version of Canons 2.8 version, which retails at around $1,950.00. 00. It will be my first zoom lens since I purchased the Cannon f 2.8 28-135 (Not pictured here) some years ago. Adding it to my other lenses. The EF 85mm 1:18, EF 28mm 1:18, EF 50mm 1:1.4, EF 50mm 1:1.8, 40mm 0.3m/0.98ft (also not pictured here) and my trusted 15mm 1:28. And while it might seem like too much. Each lens has served a purpose and more than justified the money invested. As the lens is due to arrive on Thursday of this week. I hope and plan to use it as early as this weekend. Here’s to new glass.
Here I’ve posted two images I took of Capital Hill’s Rite Aide. Located on the corner of Broadway and Denny. The pharmacy looks more like an old theater than a one stop drug store. I took the first image on monochrome mode with my 40mm pancake lens and the second, in color, with my 15mm fish eye. (A lens i use almost exclusively for concert photography.) I really love how the edges bend the closer you get to the subject. In comparison.,the monochrome image stands out for me due to the antiquated feel monochrome provides. I can’t help but feel as if I’ve been transplanted to another time. On the other hand, the fisheye lens offers a trippy vibe that makes me feel as if I’m swimming in the pages of Hunter S. Thompson’s Fear and Loathing in Las Vegas.
With my life as a studio photographer in a holding pattern and my days of shooting bands at basement shows coming to a screeching halt. I’ve had to get a little more imaginative when it comes to what I photograph. Knowing full well that a new city or town takes getting used to. I’ve done my best to do just that. Since moving to Seattle, I’ve occupied two apartments that bookmark the Seattle Center. Being somewhat of an anti-tourist. I tend to steer clear of the traps every city seem to offer. That said, I’ve always made it point to document my surroundings the best I can. With that in mind, I decided to brave the mid day sun and heat known so well to Seattle and headed over to spend some time in the green, green grass. As you can probably tell, I did my best to avoid including the famous Space Needle. To be honest, you can see it from anywhere and I’m kind of sick of it. This was shot on manual and set to monochrome. I was hoping to give it a 1960’s Worlds Fair kind of vibe.
After Sunday’s nude session I was both eager and anxious about sharing the results with my friend and mentor down the hall. He’s been a great teacher who has made it a habit to share his positive thoughts before sprinkling in any much appreciated criticism. I say “appreciated” because if it were not for those much feared critiques. I would have never grown or learned to improve on the things that have been holding me back. Imagine the combination of relief and glee I felt when he remarked how good the pictures from that session were and why. Going as far as saying that this was the best work I’ve done to date. Declaring that, as I move forward. This should be my portfolio. That school was out and I had graduated. The End.
Though hard to imagine. In all my trips to Pennsylvania, I have never been to Bethlehem or Easton. Yet, thanks to a recent video from a band I never cared for. One that will remain nameless due to my waining respect for much of my wife’s taste in music, we set our sights on the area, its food and its long history. Once there, I found some really inspiring photo opportunities, a warm, welcoming community and a cafe that takes thirty plus minutes to serve a plate of eggs and toast. Then scowls at you when you ask for syrup. Below are a few favorites from our stop in at Bethlehem Steel. We’re both hoping to get as many weekend trips under our belt before the onset of the holiday madness.
After three weekends that featured trips to Storm King, Trenton and a few others. We finally hit our stride when visiting Woodstock for the very first time. For this trip I followed a friends advice, ditching the filters and allowing the areas true colors do the work for me.
When I left the home last night. I thought I had it all covered. Keys? Check. Wallet? Check. Camera with battery and card? Check. Tripod? Check. Off I went, as I drove to my nearby destination. After I parked and unloaded my vehicle. I realized that something was missing. Searching both my car trunk and my fading memory, I realized I left the tripods.release plate on the kitchen table. Disappointed yet undaunted, I tried to make the best of it. I found a nearby stoop to keep the camera steady while the shutter remained open. I took two shots, this being my favorite, before heading home in search of the missing piece. Surprisingly, the two images I did take came out pretty damn good.
As we were on our way to breakfast this morning. We passed an old deserted diner just off the main road. Having packed the car for a show I never made it to just nights before. I was loaded for bear and fully prepared to indulge in one of my favorite past, present and future times. As much as the decaying outside facade of Mom’s Diner intrigued me. I knew the inside, if I could find my way inside, would be the real reward. After finding two easily accessible entrance ways. I managed to maneuver my way past a collection of debris, leading me to prize of crumbling brick and the wooden shel. One that originally framed what was once provided nourishment for travelers and truckers alike. One of the key elements of what draws me to these sites is that hint of risk and voice in the back of your head that tells you “You know, you really shouldn’t be here.” The rush, the buzz and the feeling that you’re alive. I hope it never leaves me.
Franklin St. East Windsor